Summary
"Demonology" unfolds through a series of fragmented yet poignant memories, painting a vivid picture of Meredith's life, particularly focusing on her final two days. These fragments, though seemingly random, are stitched together by her brother, the unnamed narrator, who looks back with both affection and melancholy. The narrative initially engages readers with a seemingly heartwarming account of Meredith and her children during Halloween.
A Life Lived in Fragments
The story of "Demonology" is characterized by its non-linear structure, with scenes that jump back and forth in time. These episodes reveal Meredith's vibrant past as a young woman who embraced life with zest. She hailed from a relatively affluent background, and like others in her family—including the narrator—had her share of struggles with alcohol. However, unlike some of her family members, Meredith was able to control her drinking and eventually settled into the role of a devoted mother to her son and daughter.
Professionally, Meredith worked in a rather uninspiring job at a photo lab, yet she found a creative outlet in photography. The story’s structure, akin to a photo album, reflects this passion. The narrative snapshots capture moments of her life, such as the time she sold a camera to Pete Townshend of The Who, not hesitating to inform him that she was not fond of his music. Through these glimpses, Meredith emerges as a spirited and determined woman.
Revelations of Loss
As the story progresses, the narrator gradually reveals the heartbreaking truth that Meredith has passed away. This revelation is not immediate; it unfolds halfway through the story, heightening the emotional impact. Although the narrator was not present at Meredith’s final moments, he vividly reconstructs them, blending his imagination with what he knows of the events.
The fateful night unfolds with Meredith returning from choir practice, putting her children to bed, only to succumb to a sudden seizure—likely an aneurysm—in her daughter's room. The narrative then shifts to a meticulous description of the changes her body undergoes and how her family reacts to the emergency. This somber depiction is interwoven with the narrator’s reflections on his own storytelling, as he grapples with the inadequacies of his narrative techniques in conveying the profound loss of his sister.
Reflection and Memory
Throughout "Demonology," the narrator not only memorializes Meredith but also reflects on his relationship with her. His introspections delve into the complexities of familial bonds, memory, and the struggle to comprehend mortality. The narrative captures the tension between the desire to remember and the pain of loss.
The narrator’s deliberations on the limitations of narrative serve as a poignant reminder of the difficulty in capturing the essence of a life through words alone. In trying to make sense of Meredith’s sudden departure, he confronts the challenges inherent in storytelling, particularly when faced with the ineffable reality of death.
Sources for Further Study
The Boston Globe, March 23, 2001, p. C9.
The Boston Herald, January 21, 2001, p. 068.
The Daily Telegraph, November 11, 2000, p. 12.
The Guardian, November 11, 2000, p. 12.
Los Angeles Times, February 21, 2001, p. E1.
Milwaukee Journal Sentinel, January 21, 2001, p. 06E.
The New York Times, February 15, 2001, p. E10.
The New York Times Book Review 106 (February 25, 2001): 12.
The Observer, October 29, 2000, p. 12.
Pittsburgh Post-Gazette, January 14, 2001, p. F10.
St. Louis Post-Dispatch, January 28, 2001, p. F8.
Sunday Telegraph, November 19, 2001, p. 17.
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