Last Updated on May 28, 2020, by eNotes Editorial. Word Count: 430
Mikhail Lermontov’s The Demon is believed to have been inspired by Lermontov's life, with the character of the Demon mirroring many aspects of the poet’s emotional and psychological state. Lermontov’s tendencies to populate his works with the events and experiences of his own life is well documented by literary critics, with even his earliest works, such as the drama “Menschen und Leidenschaften,” being an obvious tribute to the family conflict by which his early life was characterized.
Lermontov was remembered by fellow students during his studies at Moscow University as snobbish and aloof, but he is also noted to have had a tendency to involve himself in instances of troublemaking, such as the expulsion of the controversial professor Malov by students in the year of 1831. Such characteristics are clearly observable in the figure of the Demon who, isolated and excluded by his own complicity in Lucifer’s rebellion, dedicates his time to spoiling, destroying, and generally being an inconvenience to humans and angels alike.
Lonely though he is, the demon is portrayed as powerful, both in his ability to perform supernatural acts of evil and in his eloquence in seducing the princess. Such a representation accords with Lermontov’s view of himself as charismatic, as possessing a sharp mind and a gift for words, an impression that was often vindicated by the responses of those with whom he interacted. For example, Nikolai Martynov, his onetime friend and eventual murderer, described him as
so far ahead of everybody else, as to be beyond comparison.
The romantic feelings the Demon has for Tamara also seem to mirror the poet’s preferences. The Demon might be read as a tribute to what is commonly understood to have been Lermontov’s first love affair, his unrequited affections for a girl during his childhood. Such an interpretation is supported by his exaggeration of Tamara’s innocence and youthful appeal, as well as her being ultimately beyond the Demon’s reach. Lermontov is kept from his first love by the barrier between the past and the present, just as the Demon is kept from Tamara by the barrier between mortality and immortality.
Like the Demon, Lermontov was a wanderer in both a physical sense, traversing much of Russia during his lifetime, and also romantically, in that he knew many intimate relationships during his life and found the majority of these frustrated in one way or another. Tamara’s recognition of his tortured soul, of the genuine nature of his love, is perhaps the recognition that Lermontov himself had always longed for yet never received.
Last Updated on May 6, 2015, by eNotes Editorial. Word Count: 934
The Demon, banished from Heaven, soars over the earth despondent about the memories of his once glorious past, when he knew both faith and love. No force challenges him as he spreads evil and strife around the world, but it has all been too easy and he has become bored and indifferent, even to the magnificent beauty of the Caucasus. The created universe leaves him cold and disdainful. Even the lush valleys of Georgia leave him feeling bitter and contemptuous.
Meanwhile, the aged Prince Goudal plans for the marriage of his only daughter, the beautiful Tamara. Outwardly she appears pleased, and she dances and smiles, but within her heart she has misgivings about leaving her home and becoming subservient to her new relatives. The Demon flies past her, sees her dancing, and immediately falls in love with her. His empty and lonely soul is aroused by her beauty and innocence, and he feels confused.
The Demon then espies the young bridegroom excitedly riding toward the wedding, and he distracts the young man from visiting a shrine along the way. The bridegroom pursues a pair of Ossetian robbers, but after a brief...
(The entire section contains 1613 words.)
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