Characters

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The narrator

The narrator presents a controlled and calculated voice, characterized by sensitivity and an apparent sincerity as they directly address the reader. In the preface and introduction, the narrator meticulously establishes the narrative framework, describing in vivid detail the devastation wrought by the Florentine Black Plague of 1348 and introducing the ten storytellers who escape the city. In the prologue to the fourth day, the narrator mounts a spirited defense against criticism. In the conclusion, they ardently defend themselves against allegations of obscenity, slandering the clergy, and frivolity, showcasing their commitment to the narrative's integrity.

Pampinea

Pampinea, the storyteller whose foresight and wisdom spark the idea for the group's retreat to the countryside, creates the overarching framework for the story. Her proposal for rotating leadership among the group members showcases her sense of fairness and organizational skills. Pampinea is esteemed for her wisdom, self-possession, and maturity, qualities honed through her experiences in love.

Dioneo

Dioneo stands out as the most witty, charming, and self-directed of the three young men on the excursion. Committed to leaving behind the woes of Florence, he is the first to infuse his tales with sensual content. His unique privilege to tell the final story on each of the nine concluding days, irrespective of the day's theme, underscores his influential role in the narrative.

Filomena

Filomena, a woman of wisdom and discretion, supports Pampinea's suggestion to invite men on their journey, trusting that the truth will safeguard her honor and reputation. Her passionate and amorous nature adds depth to her character, as she navigates the delicate balance of love and integrity.

Elisa

Elisa, characterized by a passionately youthful nature, offers a dynamic presence within the group. Her stories often reflect the intensity of her emotions and her vibrant outlook on life.

Fiammetta

Fiammetta, known for her generosity in giving love and her yearning to be loved in return, is equally haunted by the fear of love's potential loss. Her stories are imbued with a poignant awareness of the fleeting nature of affection.

Ser Cepparello

Ser Cepparello, a notorious character in Panfilo's tale, is infamously recognized as Ciappelletto due to his diminutive stature. He is reputed as perhaps the most vile man ever, notorious for his deceitfulness as a notary. Entrusted by a wealthy merchant to navigate dealings with the treacherous Burgundians, Cepparello falls ill in Burgundy. Cleverly deceiving a naive, devout priest during his confession, he convinces the priest of his apparent sanctity. Upon Cepparello's death, the priest persuades his brethren to venerate him as a saint, leading to the attribution of numerous miracles to his name.

Abraham

Abraham, featured in a story narrated by Neifile, is a Jew pressured by a Christian friend to convert to Catholicism. His journey to Rome reveals the stark wickedness and depravity of the Holy Father and the cardinals. Despite this, Abraham deduces that the church's endurance and growth must be rooted in divine providence rather than the virtue of its leaders, prompting his conversion to Catholicism.

Alatiel

Alatiel, the beautiful daughter of the sultan of Babylon, is promised as a bride to the king of Algarve in a tale narrated by Panfilo. Her journey to the wedding is interrupted by a shipwreck on Majorca. Her beauty and fortitude guide her through a series of nine abductions across diverse lands over four years. Miraculously returning to her father, who remains convinced of her chastity, she ultimately marries the king and enjoys a serene, honored life.

Brother Alberto

Brother Alberto, as recounted by Elisa, manipulates a woman into believing that the archangel Gabriel is enamored with her. Disguising himself, he...

(This entire section contains 843 words.)

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exploits her naivety until fear of her family's vengeance leads him to flee. Tragically, a poor man offers him refuge, unwittingly facilitating Brother Alberto's capture by his fellow monks the following day.

Isabetta

Isabetta, a character in one of Filomena's stories, experiences profound grief after her brothers murder her lover Lorenzo. Visited by Lorenzo's spirit, she learns of his burial site and secretly exhumes his head, which she tenderly places in a pot of basil, nurturing it with her tears. Upon discovering her secret, her brothers confiscate the pot, and Isabetta, overwhelmed by sorrow, succumbs to despair and dies.

Madonna Usimbalda

Madonna Usimbalda, featured in Elisa's story, serves as an abbess who must adjudicate a nun's alleged unchastity. Roused from bed hastily, she inadvertently dons the pants of the priest she was with, mistaking them for her veil. Her severity softens when the accused nun humorously points out the mistaken headdress, revealing both hypocrisy and human fallibility.

Griselda

Griselda, a character from a tale narrated by Dioneo, endures arduous tests of loyalty as the wife of the Marquis of Saluzzo. Her husband cruelly takes away their children at birth, feigning their deaths while secretly safeguarding them. Griselda's resilience shines as she bears these ordeals with unwavering patience, even as Saluzzo pretends to replace her with their daughter as his new bride. Ultimately, recognizing her steadfastness, he restores Griselda to her rightful place as his wife, bestowing upon her the honor and status of marchioness.

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