Bloom, Harold, ed. Willy Loman. New York: Chelsea House, 1991. A collection of sixteen focused extracts from books and articles, with ten complete essays providing an excellent selection of criticism focusing on Willy as a literary character. Includes a provocative introduction by Bloom in which he discusses Willy as a tragic hero.
Bloom, Harold. Modern Critical Interpretations: Arthur Miller’s “Death of a Salesman.” New York: Chelsea House, 1988.
Dukore, Bernard F. “Death of a Salesman” and “The Crucible.” Atlantic Highlands, N.J.: Humanities Press International, 1989. An excellent introduction for beginning students. Analyzes the text from both literary and theatrical points of view and examines selected productions of the play to demonstrate the rich embodiment of literary ideas.
Koon, Helene Wickham, ed. Twentieth Century Interpretations of “Death of a Salesman.” Englewood Cliffs, N.J.: Prentice-Hall, 1983. An anthology of ten essays that provide a wide variety of critical approaches to the play. A standard source.
Miller, Arthur. Timebends: A Life. New York: Grove Press, 1987.
Miller, Arthur. “Salesman” in Beijing. New York: Viking Press, 1984. Miller’s fascinating and highly readable diary account of the famous production he directed of Death of a Salesman in Beijing, China, in 1983, where the universality of the play became most evident. Includes photographs by his wife, Inge Morath.
Murphy, Brenda. Miller: “Death of a Salesman.” Cambridge, England: Cambridge University Press, 1995.
Nelson, Benjamin. Arthur Miller: Portrait of a Playwright. New York: David McKay, 1970.
Roudané, Matthew C., ed. Conversations with Arthur Miller. Jackson: University Press of Mississippi, 1987. Transcriptions of thirty-nine interviews with Miller between 1947 and 1986. Notable for personal insights into Miller and the productions of his plays. The interviews persistently return to questions concerning Death of a Salesman and Miller’s theories on tragedy.