Death and the Maiden Characters

The main characters in Death and the Maiden are Paulina Escobar, Doctor Roberto Miranda, and Gerardo Escobar.

  • Paulina Escobar is a woman who was kidnapped, tortured, and raped while in medical school. Years later, she identifies the man she thinks was her captor and puts him on trial in her home.
  • Doctor Roberto Miranda is the man Paulina believes to be her kidnapper, though his guilt is left somewhat ambiguous.
  • Gerardo Escobar is Paulina's husband. He is a lawyer who has just been appointed to a commission charged with investigating murders carried out by the previous dictator's regime. 


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Last Updated on May 6, 2015, by eNotes Editorial. Word Count: 756

Gerardo Escobar
Paulina's husband, he is a lawyer about forty-five years of age. Gerardo has recently been appointed by the president to a commission that will examine human rights abuses during the military dictatorship. Gerardo has a high ideal of justice which he invokes in an attempt to persuade his wife to release Miranda. Paulina is ethically motivated, too, but she stresses repeatedly that corruption in the country's legal system leaves considerable doubt that the military's abuses will be properly rectified. Gerardo maintains his faith in the government's ability to do the best it can do under the circumstances, while Paulina feels pushed to take matters into her own hands. Undoubtedly, her more personal resolve is the product of her abduction and torment, which Gerardo seems to find almost unfathomable on a personal level, despite the nature of his work.

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Gerardo has always had great difficulty discussing Paulina's experience, a guilt that is compounded by the fact that when Paulina went to him following her release, she discovered that he had been having an affair in her absence. Gerardo's suggestion that Paulina make a tape recording may be a way of addressing his problem, putting words to something he has not wanted to face.

Doctor Roberto Miranda
A doctor, around fifty years old. Roberto—Doctor Miranda—remains indignant at Paulina's accusations. He repeatedly reminds Gerardo of his place on the human rights commission and that it is his duty in that capacity to command his wife to release Miranda. The doctor denies having had any role in torturing military abductees and offers a confession that he claims to have fabricated in the hopes that Paulina will release him unharmed Miranda, however, corrects details in the narrative of Paulina's experience which she recorded for Gerardo; this is enough proof for Paulina that her prisoner is the doctor who raped and tortured her. Miranda does not succeed in convincing her to the contrary but without having to make a direct and true confession he does somehow convince Paulina to spare his life with his plea, "Oh Paulina—isn't it time we stopped?''

Miranda is a mysterious character who Dorfman never fully reveals to the audience. While there is considerable evidence presented that seems to incriminate the doctor, the possibility remains that it is merely coincidence that he fits the profile of Paulina's tormentor. His guilt appears to be further cemented by his decision not to report his kidnapping to the authorities, yet his silence may be attributed to a fear that Gerardo may use his position on the commission to discredit Miranda. Dorfman does not offer explanations for any of these situations. Miranda's fate at the play's conclusion is ambiguous:...

(The entire section contains 756 words.)

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