*Knoxville. Tennessee city that is the novel’s main setting, as the home of Jay and Mary Follet and their two children. The novel begins with a short section titled “Knoxville: Summer 1915,” a poetically evocative description of summer evenings that breaks into free verse. After supper, as daylight fades and children run around yelling and playing, relaxed fathers, collars removed and shirt cuffs peeled back, are outside watering their lawns with hoses. This scene competes with the natural sounds and sights of locusts, crickets, frogs, and fireflies, which gradually increase as the night comes on. One by one the men coil their hoses and retreat inside their homes. Not even the man of the house—husband, father, and breadwinner—can hold back the night. Thus the short descriptive section serves as a poetic foreword to the whole novel, which develops the effects on a family of its father’s sudden death.
The opening section also introduces a subtheme of the novel—the social and cultural tensions between the Follet and Lynch families. Jay, Mary, and children live in a lower middle-class neighborhood of similar houses and families, and the Lynches (Mary’s parents, brother, and aunt) live nearby in a slightly older middle-class neighborhood. The middle-class way of life is identified with the city, and the Lynches, who are comfortable, somewhat cultured, and Roman Catholic, assume that their own way of life is the desirable norm. To them, people outside Knoxville are merely hillbillies.
The Lynches admire Jay for having raised himself out of his background (though at first they are aghast when Mary marries him). Jay himself,...
(The entire section is 690 words.)