Places Discussed

(Critical Guide to Settings and Places in Literature)


Prison. Soviet detention center in which Rubashov is being held. With its dark corridors, closed off from the outside world and operating under its own logic, the suffocating prison is a physical manifestation of the communist dystopia and a metaphor for the communist rationale. Outside the prison, seasons change from cold, dismal winter to early spring. Inside its grim multistoried brick structure, prisoners are confined in cells behind thick doors with spy-holes. Barred windows overlook a snow-packed courtyard, where prisoners exercise. Armed guards patrol the ramparts. Down a dimly lit corridor is a barber shop and an unsanitary infirmary that reeks of carbolic and tobacco. The doctor’s desk is cluttered with bandages, swabs, and instruments. Beneath the prison is a room where beatings and near-boiling steam baths are used to force prisoners to confess to imaginary crimes against the state. Those found guilty are taken down a spiral staircase, stunned by blows to the head, and shot behind the ears with pistols.

Rubashov’s own cell, number 404, has a basin, a cot, and a bucket for his bodily wastes. At first, he hears only muffled sounds and echoes in the prison building. Later, neighboring prisoners communicate by tapping messages on the walls in a simple code. From the window, Rubashov observes other prisoners exercising in the courtyard. Through the spy-hole, guards observe him writing in a diary or lying on a straw mattress. Rubashov gets a limited view of the corridor and cells across the gallery. He observes Bogrov, a...

(The entire section is 641 words.)