The Dark Child tells the story of the author’s youth. Yet, the style, structure, and purpose of the book cause it to be classified as a novel as well as an autobiography; Camara Laye has molded his materials in such a way that it is not he, himself, who emerges from the book but rather a representative man. In this way, The Dark Child is similar to other “shaped” autobiographies such as Robert Graves’s Goodbye to All That (1929), Maya Angelou’s I Know Why the Caged Bird Sings (1970), and even D.H. Lawrence’s Sons and Lovers (1913).
Laye’s account is structured through a dozen chapters, each evoking a particularly meaningful and poignant memory. The first chapters show Laye as a small child, playing about his father’s hut, where he observes his father caressing and talking to a small snake. His mother tells him that this snake is the guiding spirit of his father’s people; it gives his father knowledge and the special skills which make him a highly praised, prosperous goldsmith. His father tries to share this same knowledge with the child, but both father and son sense that the transference will never occur, that the son’s destiny lies elsewhere.
Another part of Laye’s heritage is related in the next two chapters, as the child visits his maternal relatives in the village of Tindican. Here, he participates in the rice harvest. The narrator captures the many rituals associated with...
(The entire section is 582 words.)