Daniel Defoe Biography
Daniel Defoe was a survivor—and that's an understatement. He was young and vulnerable when an outbreak of the bubonic plague attacked England, killing hundreds of thousands of people all around him, but he survived. Then in 1666, when Defoe was not yet a teen, the Great Fire of London burned down a large portion of the city, including his entire neighborhood, leaving only his family’s and one neighbor’s houses standing. It’s no wonder, then, that his most famous book, Robinson Crusoe, is filled with adventure. Defoe’s novel is a fictional autobiography of Crusoe, who survived twenty-eight years on an island before he was rescued. The novel has remained so popular there is now a real island that bears the hero’s name.
Facts and Trivia
- Daniel Defoe is sometimes credited with being the “father” of the English novel. Though that title is endlessly debated by scholars, Defoe undoubtedly popularized the form with Robinson Crusoe.
- Defoe must have written every day of his life in order to publish almost four hundred works (books, pamphlets, and journals) on topics that ranged from crime to spiritualism.
- Defoe was criticized in his time for selling his writing talents to any politician who would pay him. In other words, no one trusted him because he would take any side of an issue for the right price. His critics said he lacked integrity.
- Defoe was a merchant by trade but was bad with money—so bad that he ended up in debtors’ prison. And in 1703, Defoe was also a political prisoner for criticizing the government. People in the streets drank and cheered as he read poetry from his cell.
- Defoe often mocked people in power with his writing, so he often resorted to publishing under pseudonyms. The most outlandish pen name he ever used was “Heliostrapolis, secretary to the Emperor of the Moon.”
Biography
Although Daniel Defoe (1660-1731) is typically referred to as an “English
novelist,” he was also a pamphleteer, journalist, and an excellent storyteller
who overnight became famous for writing Robinson Crusoe (1719), a
story of a man shipwrecked alone on an island. Some literary historians have
placed him along with Samuel Richardson as the founder of the English novel,
but, according to the definition of the novel, Defoe is not a novelist. And
although this is meant to be a biography of Defoe, it is important to briefly
explain why he should not be thought of as a novelist, though some of his
works, including Robinson Crusoe and Roxana, may certainly be
considered as precursors to the novel form.
A novel is a realistic story of some substance and length, with a clear social
purpose, with a plot and characters, and in which the three elements are
structurally interrelated so that development in one systemically affects the
development of the other two elements of the novel. What we need to acknowledge
here before returning to Defoe’s biography is that throughout his life, whether
as a businessman, government employee, spy, journalist, poet, or storyteller,
Defoe seemed to greatly value facts, history, and the real events of his times.
Defoe was born as the son of James Foe, a butcher of Stroke Newington. He
studied at Charles Morton's Academy, London, a school founded and patronized by
nonconformist Christians who resisted the domination of the state religion
which, at that time, was Anglicanism, or the Church of England. The Academy was
famous for its opposition to Canterbury, the seat of the Anglican Church. Its
principal was later the vice president of Harvard University.
Although his nonconformist father intended him for the ministry, Defoe’s
passion lay in politics and trade, and he seemed to be irresistibly drawn
toward the intrigues created by these two. He travelled extensively in Europe,
and when he returned to England in the early 1680s, Defoe was a commissioned
merchant in Cornhill. He went bankrupt in 1691 despite the fact that in 1684 he
had married a wealthy widow, Mary Tuffley; they had two sons and five
daughters.
Defoe earned fame and royal favor with his satirical poem "The True Born
Englishman" (1701). The poem proves Defoe's radicalism. In this poem,
written over three hundred years ago, Defoe argues that there is no
“true born Englishman,” because almost every Englishman in London has come from
somewhere else, an idea that is still a contemporary multicultural debate in
the United States and in Britain.
Defoe’s next important publication is perhaps even more interesting. In 1702 he wrote the famous pamphlet "The Shortest Way With Dissenters." Himself a dissenter, he mimicked the extreme attitudes of High Anglican Tories, thus satirizing them, pretending to argue for the extermination of all dissenters. But the pamphlet offended Anglicans and dissenters alike. With the Anglicans he achieved his objective, but he completely missed the mark with his own people, the dissenters. Not understanding his irony, they took him literally. Some of the more intellectual and politically motivated Anglicans, however, who understood the satire, nevertheless instigated the usually poor dissenters and the latter rose against Defoe. This was a classic case of the satirist entrapped by his own satire. Defoe was arrested, thrown into prison, but before that was pilloried in May 1703. But Defoe would not quit. From prison, he wrote a mock ode, "Hymn to the Pillory" (1703). The poem was sold in the streets, and the audience drank to his health while he stood in the pillory and read aloud his verses.
Fortunately for him, the Tories fell from...
(This entire section contains 1016 words.)
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power and Defoe’s friend Sir Robert Harley became prime minister and helped Defoe with governmental appointments. For a while he worked in governmental jobs, including being a spy, and continued to dabble in commerce, selling clothing, leather goods, porcelain, and other household goods. It is said of him that Defoe was not very ethical doing business. Nor did he seem to be very good at managing his money, becoming bankrupt several times in his life. In his own time, Defoe was regarded as an unscrupulous, diabolical journalist by more famous writers such as Alexander Pope and Jonathan Swift.
Such nonconformist dealings notwithstanding, they must have prepared Defoe for what would ultimately turn out to be his real calling as a writer. Defoe was one of the first to write stories about believable characters in realistic situations using simple prose. In April 1719, he published Robinson Crusoe, a story based partly on the memoirs of voyagers and castaways, such as Alexander Selkirk. During the remaining years, Defoe concentrated on books rather than pamphlets. Among his works are Moll Flanders (1722), A Journal of the Plague Year (1722), and Captain Jack (1722). His last great work of fiction, Roxana, appeared in 1724.
In each of those works, there is an absorbing, realistic story line, and the realism is infused by details about goods exchanged, money transacted, profits and losses counted, and how they affected the characters. Reading such details can be very tedious for someone who simply wants Defoe to get on with the story, but the reader must realize that though Defoe wants to tell a story, the purpose behind the story is actually more important than the story itself. Defoe was a consummate political and economic animal, and such practical details as money and goods are supposed to teach his contemporary readers the virtues of industry and parsimony.
By the 1720s, Defoe had ceased to be politically controversial in his writings, and he concentrated on writing the narrative stories mentioned above. he produced several historical works, a guide book, and The Great Law of Subordination Considered (1724), an examination of the treatment of servants.
He went on writing right up to his death. In all, he is said to have produced over 6,400 pamphlets, many poems, and six long narratives. His last five years saw the publication of The Political History of the Devil (1726) and An Essay on the History and Reality of Apparitions (1727). He died on April 26, 1731, at his lodgings in Ropemaker's Alley, Moorfields.