The Daffodil Sky

by H. E. Bates

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Part I: The Return

At the heart of "The Daffodil Sky," we find our story’s unnamed hero stepping off a train into a town that seems as elusive as the man himself. A forbidding sign blocks the footbridge he once knew so well, whispering to him of change. His suspicions are confirmed upon entering a familiar pub, now foreign with a new pinball machine and strangers' faces. Engaging the barman in conversation, he inquires about Cora Whitehead, a woman from his past. The barman’s blank expression and repeated reminder that it’s "been a minute" since those days only heighten his sense of loss. Yet a glimmer of recognition comes from another patron, who knows of Cora and assures him she resides on Wellington Street. With this shred of information, he drains his glass and departs.

Part II: Happy Memories

As he steps into the street, memories flood back of his first visit to that very pub. Years melt away to a spring morning when he, a young farmer, steered a cart brimming with daffodils to market. A sudden hailstorm drove him into the pub’s warm refuge, where he collided with Cora—a meeting that sparked instant chemistry. Trapped by the storm, he feared missing the market’s peak hours, but Cora’s comforting words proved prophetic. By day’s end, he had sold every flower to bustling latecomers.

Their chance encounter seemed to herald a new dawn for him. Life glistened with potential as he swapped his cart for a sleek "Beardmore combination" motorcycle, courtesy of Cora’s friend, Frankie Corbett. Prosperity followed their budding romance. By summer’s end, they dreamed of buying the farmland he leased from the elderly Osborne, who was willing to sell favorably. Although their savings fell short, Cora suggested Frankie might help bridge the gap. Inspired by her optimism, he proposed marriage, and she joyfully accepted. Yet his happiness was fleeting. A mere six weeks later, in the cloak of a stormy October night, tragedy struck when he killed Frankie.

Part III: Bitter Memories

Returning to the present, he treads slowly up Wellington Street, shadows of the past clinging to his heels. The sight of a man walking a dog pulls him back to that fateful October evening, reigniting the vivid flashback. He’d known Frankie’s routine, thanks to Cora’s casual mention of his nightly dog walks. As jealousy festered, suspicions grew over Cora’s ties with Frankie, once her lover. Learning of Cora's pregnancy sent his envy spiraling, haunted by the fear that Frankie might be the father. Though he claimed to seek merely a conversation, the night was fraught with darker intentions.

He stopped him, and they stood on the pavement and spoke a word or two. He was trembling violently and the air was a confusion of red and black. A few heavier spits of rain came hastily down and Frankie said he was getting wet and hadn’t all night to stand there jawing over trifles. ‘‘There’s no trifle about this and all I want is a straight answer.’’ Then the dog yapped, splashing in a gutter puddle, and Frankie began to swing the crop. He had a sudden blind idea that the swing of the crop was meant for him. A moment later he was hitting at Frankie with a broccoli knife. It was a thin curved knife and he had sharpened it that morning on the grindstone, with Osborne turning the wheel. Then Frankie lashed at him with the crop and then in return he hit out with the knife again. At the fourth or fifth stroke Frankie fell and hit his skull against the iron lip...

(This entire section contains 921 words.)

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of the gutter, and suddenly there was bright blood in the rain. (Excerpt from ‘‘The Daffodil Sky’’)

At the ensuing trial, Cora’s testimony laid bare the protagonist’s intense jealousy—a truth he could not deny.

Part IV: The Meeting

Back in the present, he stands at 84 Wellington Street, Cora’s doorstep, plagued by uncertainty over his motives. At forty, a full eighteen years after the memories that haunt him, he grapples with his identity. Is he still the man whose dreams withered away, or someone else entirely? As he knocks, a chilling dread grips him at the thought of harming Cora—a fear far removed from his previous act of manslaughter that left Frankie dead.

The door swings open, and instead of Cora, her daughter stands there, a mirror of her mother's essence. He proclaims himself an old acquaintance, yet keeps his identity cloaked in mystery. As a sudden deluge traps him, she graciously offers an umbrella, then spontaneously chooses to accompany him to the bus stop, a gentle yet unspoken invitation in her gaze. Her resemblance to her mother, both in appearance and spirit, captivates him completely.

He watches the bus approach, then lets it drift past, confessing his lack of a destination. Surprisingly, she remains unfazed, her warmth setting his mind alight with possibilities. Torn between revealing his story and fleeing to rewrite his future, he wrestles with a profound solitude that shadows his fleeting hope. Just as he begins to voice a question, a train thunders by, drowning his words.

Misinterpreting his intentions, she presumes he wishes to invite her out. However, he clarifies his desire for a drink and extends an invitation for her to join him. She accepts, and as the rain subsides, they meander toward the pub, their shared steps marking the beginning of an unexpected narrative.

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