Pearl K. Bell
In The White Hotel, the British poet and novelist D. M. Thomas demonstrates his literary virtuosity…. Though Thomas himself stands outside the novel, and scrupulously excludes his own emotions from the story,… [his theme is] self-discovery. But Thomas has a genuinely intellectual imagination, and has had the audacious idea of dramatizing the exigencies of the self not merely in the context of psychoanalysis, but within the history of psychoanalysis. To carry out this scheme with the immediacy a novel must convey, Thomas has boldly appropriated the voice, personality, and therapeutic method of the genius who revolutionized the modem conception of the self—Sigmund Freud. (p. 58)
As we read...
(The entire section is 780 words.)