D. H. Lawrence

D. H. Lawrence Criticism

• Lawrence, D(avid) H(erbert)
  • Introduction
  • Principal Works
  • Criticism
    • Review of Love Poems and Others
    • The Georgian Poet: 1909-1919
    • The Poetry of D. H. Lawrence
    • Barbed Wire and Coming Through
    • The Earthly and the Definite
    • Review of The Complete Poems of D. H. Lawrence
    • D. H. Lawrence's Three Strange Angels
    • Reflections on Lawrence
    • Toward ‘Thingness’: Cézanne's Painting and Lawrence's Poetry
    • The Banal, and the Poetry of D. H. Lawrence
    • D. H. Lawrence's ‘Future Religion’: The Unity of Last Poems
    • The Bright Doorway
    • The Poetry of D. H. Lawrence
    • Early Poetry
    • Lawrence's ‘After the Opera’
    • D. H. Lawrence's Mother as Sleeping Beauty: The ‘Still Queen’ of His Poems and Fictions
    • Lawrence's ‘Mystic’
    • Last Poems: final thoughts
  • Further Reading
• Lawrence, D. H. (Short Story Criticism)
  • Introduction
  • Principal Works
  • Criticism
    • The Otherness of D. H. Lawrence's ‘Odour of Chrysanthemums’
    • Spirit, Place and Psyche: Integration in D. H. Lawrence's ‘The Man Who Loved Islands’
    • D. H. Lawrence and Tradition: ‘The Horse Dealer's Daughter’
    • Totem and Symbol in The Fox and St. Mawr
    • ‘The Prussian Officer’: A Lawrentian Allegory
    • D. H. Lawrence's Early Masterpiece of Short Fiction: ‘Odour of Chrysanthemums’
    • Complexities of Gender and Genre in Lawrence's The Fox
    • The Art of Survival: Narrating the Nonnarratable in D. H. Lawrence's ‘The Man Who Loved Islands’
    • England, My England as Fragmentary Novel
    • ‘These Were Just Natives to Her’: Chilchui Indians and ‘The Woman Who Rode Away’
    • Narrative Voice and Point of View in D. H. Lawrence's ‘Samson and Delilah’
    • Illness and Wellness in D. H. Lawrence's The Ladybird
    • St. Mawr: Lawrence's Journey Toward Cultural Feminism
    • ‘We've Been Forgetting That We're Flesh and Blood, Mother’: ‘Glad Ghosts’ and Uncanny Bodies
    • A Trio from Lawrence's England, My England and Other Stories: Readings of ‘Monkey Nuts,’ ‘The Primrose Path,’ and ‘Fanny and Annie’
    • The Short Fiction: Metaphor and the Rituals of Courtship
    • ‘The Man Who Loved Islands’: A Lacanian Reading
    • ‘England, My England’: Lawrence, War and Nation
    • Dubious Progress in D. H. Lawrence's ‘Tickets, Please’
    • Pan and the Appleyness of Landscape: Dread of the Procreative Body in ‘The Princess’
    • The Pact with the Genius Loci: The Prussian Officer
    • Ritual Sacrifice in ‘The Woman Who Rode Away’: A Girardian Reading
  • Further Reading
• Lawrence, D. H. (Twentieth-Century Literary Criticism)
  • Introduction
  • Principal Works
  • Criticism
    • Look! We Have Come Through
    • The Melodic Line: D. H. Lawrence
    • Mr. D. H. Lawrence
    • D. H. Lawrence as Poet
    • D. H. Lawrence and Expressive Form
    • An introduction to D. H. Lawrence: Selected Poems
    • The Poetry of D. H. Lawrence
    • D. H. Lawrence
    • D. H. Lawrence's Philosophy as Expressed in His Poetry
    • Lawrence's Collected Poems: The Demon Takes Over
    • Peace and Passivity: The Poetry of D. H. Lawrence
    • Comment: Reflections on Lawrence
    • D. H. Lawrence's Last Poems
    • 'Secret Sin': Lawrence's Early Verse
    • D. H. Lawrence and the Resources of Poetry
    • The Psychological Dynamics of D. H. Lawrences's 'Snake'
    • Hymn to Priapus: Lawrence's Poetry of Difference
    • D. H. Lawrence's Uncommon Prayers
    • 'Not I, but the Wind That Blows Through Me': Shelleyan Aspects of Lawrence's Poetry
    • D. H. Lawrence, Major Poet
    • D. H. Lawrence—The Poetry
  • Further Reading