Characters
Cyrano de Bergerac
Cyrano de Bergerac (see-rah-NOH deh behr-zheh-RAHK) is a historical figure known for his prowess as a poet, playwright, and soldier. Despite his enormous nose, which he claims symbolizes his generosity and independence, Cyrano possesses a romantic heart, eloquent speech, and a fiercely independent spirit. He chooses a white plume as his emblem, representing untarnished integrity that he refuses to compromise. Although he often boasts in the tradition of a braggart warrior, Cyrano is actually shy and reserved, especially in the presence of beauty. As a participant in a love triangle, he remains silent about his own feelings until mortally wounded. His name not only represents a physical flaw but also embodies the virtues of goodness, truth, loyalty, and nobility in human nature. His integrity is reminiscent of Don Quixote, a character Cyrano admires for challenging the pretentious and the philistine, elevating himself in the process.
Cyrano is further depicted as a natural charmer with women. When offered food by a Foodseller after giving his purse away, he declines but gallantly kisses her hand. This incident showcases his ease and grace in social interactions, even while proclaiming to Le Bret that no woman would desire him. Cyrano's friendship with Ragueneau reveals his support for his friend's poetic endeavors and his use of Ragueneau's pastry shop as a venue to meet Roxane. His steadfast loyalty extends to protecting friends; he famously defends Ligniere from an attack by a hundred ruffians, reinforcing his reputation as a formidable fighter.
Christian de Neuvillette
Christian de Neuvillette (krees-TYAHN deh new-vee-YEHT) is a young soldier under Cyrano's mentorship in matters of love. Despite being handsome and generous, Christian struggles with articulating his feelings, leading to his role as a silent lover. He joins the Gascony Guards in Paris with the hope of winning the beautiful Roxane. Overwhelmed by her beauty, he relies on Cyrano to woo her with his words. Even after marrying Roxane, Christian remains aware that it is Cyrano's eloquence that sustains the bond. Discovering Roxane loves the words more than him, Christian begs Cyrano to confess the truth to her. Faced with the realization that her love is not truly his, Christian seeks an honorable death in battle, hoping Cyrano and Roxane can find happiness together in his absence.
Christian is portrayed as a man of honorable intentions and a good heart, yet he is easily swayed and victim to his own desires. By allowing Cyrano to express the emotions he cannot, Christian acts as an "emotional surrogate," compensating for his deficiencies. His bravery in battle contrasts with his insecurity in love, yet he remains determined not to betray the trust of his mentor and friend.
Roxane
Roxane (rohk-SAHN), or Madeleine Robin, is initially depicted as a precieuse, embodying a superficial perception of love. However, her transformation into a grieving widow reveals her as the ideal woman. Bright, beautiful, and lively, Roxane represents the beauty all men covet. She learns that the platitudes and traditions of love cannot replace genuine sincerity and emotional authenticity. Though initially naive and romantic, Roxane becomes wise and introspective following her epiphany about the true nature of love.
She is also protected by her Duenna, who is easily swayed by Cyrano's cream puffs but remains protective of her charge. After Christian's death, Roxane retreats to a convent, where she is visited by Cyrano. Her journey from thoughtless love to mature understanding is emphasized by her interactions with the convent's Mother Superior, Mother Marguerite de Jesus, who appreciates Cyrano's visits.
Ragueneau
Ragueneau (rah-geh-NOH), the poetic pastry cook, befriends Cyrano and hosts destitute artists in his salon....
(This entire section contains 1360 words.)
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Though ridiculed by his wife and consumed by his own appetite for poetic expression, Ragueneau is unwavering in his ideals and loyalties. He supports Cyrano with both friendship and sustenance, allowing his shop to serve as a meeting place for Cyrano and Roxane. Ragueneau even attempts to warn Cyrano of the dangers of making powerful enemies.
Ragueneau's dedication to poetry leads to his financial ruin. His wife, Lise, leaves him for a musketeer after he publishes "Ragueneau's Rhymed Recipes," a collection that bankrupts him. Despite these hardships, Ragueneau remains a steadfast friend to Cyrano until the end, exemplifying loyalty and commitment to his ideals.
Le Bret
Le Bret (leh bray) serves as Cyrano's friend and advisor, acting as a commentator on the protagonist's bravery and heart. His steadfast loyalty allows him to speak candidly with Cyrano about his inconsistencies. Le Bret is portrayed as a supportive and protective friend, particularly during the siege of Arras and years later at the convent. His respect and affection extend to Roxane, highlighting his deep admiration for both characters.
LeBret's role as Cyrano's foil further emphasizes his friend’s reckless nature, such as when Cyrano gives away his entire purse. Despite these differences, Le Bret's loyalty never wavers, proving his devotion and understanding of Cyrano's complex character.
Montfleury
Montfleury (mohn-flew-REE), a renowned actor of his time, is banned from performing by Cyrano due to his lack of artistic refinement and sensitivity to language. As a symbol of popular yet decadent tastes, Montfleury represents the vulgarity Cyrano cannot tolerate. Despite Cyrano's warnings, Montfleury attempts to perform, only to be forcibly removed from the stage, illustrating Cyrano's disdain for mediocrity.
The comte de Guiche
The comte de Guiche (geesh) is an aristocrat and military figure who unsuccessfully courts Roxane. His thwarted affections lead him to seek revenge by sending Christian and Cyrano to the front lines. Although often portrayed as a villain, de Guiche possesses redeeming qualities, such as his eventual admiration for Cyrano's bravery and independence. Over time, he grows to respect Cyrano's steadfast character and the loyalty Roxane holds for him.
De Guiche's pursuit of Roxane involves plotting to have her marry Vicomte de Valvert, his ally. However, his plans are disrupted by Cyrano's interventions, leading to escalation in their rivalry. De Guiche's journey from villainy to a more nuanced understanding of valor and loyalty underscores his complexity as a character.
Bellerose
Bellerose, the stage manager at the theater, finds himself managing the chaos when Cyrano removes Montfleury from the stage. Tasked with calming the audience, he also accommodates Le Bret and Cyrano by allowing them to remain in the theater as the crowd disperses following Cyrano's duel with Valvert.
The Citizen
The Citizen, an otherwise minor character, plays a crucial role in highlighting Cyrano's sensitivity about his appearance. His rude staring at Cyrano's prominent nose triggers the well-known "nose tirade," showcasing Cyrano's quick wit and defensive nature.
The Foodseller
The Foodseller is a young woman who displays kindness to Cyrano by offering him food after he gives away his money. Cyrano declines her offer but courteously kisses her hand, illustrating his natural charm and gentlemanly demeanor despite his self-perceived shortcomings.
Ligniere
Ligniere, a poet with a penchant for alcohol, introduces Christian to the theater scene. Targeted by de Guiche for his scandalous song, Ligniere is saved by Cyrano, who fends off a hundred attackers. This act solidifies Cyrano’s reputation as a skilled fighter and protector of friends.
Lise
Lise, Ragueneau's unsupportive wife, shows disdain for her husband's poetic aspirations, using his books as pastry wrappers. Annoyed by his poet friends, she eventually elopes with a musketeer. Despite Cyrano's warnings about her infidelity, Ragueneau realizes her betrayal too late.
Roxane's Duenna
The Duenna serves as Roxane's chaperone, easily bribed by Cyrano's cream puffs but ultimately protective of Roxane. At times cynical, she manages to fulfill her role while maintaining a humorous presence.
Sister Claire
Sister Claire, alongside Sister Marthe, provides comic relief at the convent through her interaction with Mother Marguerite. Concerned for Cyrano, she engages in light-hearted exchanges that illuminate the convent's dynamics.
Sister Marthe
Sister Marthe, one of the two nuns at the convent, humorously attempts to convert Cyrano, who, before his death, tells her to pray for him. Her character adds a touch of levity to the otherwise somber environment.
Vicomte de Valvert
Vicomte de Valvert, whom de Guiche intends Roxane to marry, is a somewhat foolish nobleman who provokes Cyrano at the theater. Lacking wit, he engages Cyrano in a duel and is ultimately defeated, underscoring Cyrano's cleverness and swordsmanship.
