*New York City
*New York City. On the eve of the twentieth century, New York City is the focus of young Undine Spragg’s dreams. Her determination to marry into the top level of American society is attained there by slow, deliberate, steps, culminating in her marriage to Ralph Marvell, the scion of an old New York family. Once their incompatibility and the Marvell family’s diminished fortunes become clear, she flails about, looking for excitement and a more advantageous arrangement. What she learns of New York “society” mores enables her eventually to succeed. She knows where one needs to be seen in New York: at the opera house, at the painter Claud Popple’s studio, at fashionable milliners’, and at fine restaurants.
Although Edith Wharton provides short, vivid descriptions of New York City scenes, the role she gives to place in this novel is as much about “social space” as about the details of actual physical settings. Undine’s New York City includes only Manhattan, and only people with recognizably northern European-derived names and appearances—this in an era when immigrants from southern and eastern Europe were pouring into the city.
*Washington Square. New York neighborhood in which the Marvell family town house is located. Undine views it as a symbol of Old New York aristocratic society, whose strictures and values she can neither accept nor understand.
Stentorian Hotel. New York hotel in which Undine and her parents are living when the novel opens. The hotel represents at least two things: the uprooting Undine’s...
(The entire section is 681 words.)