A Cure for Dreams, Gibbons’s third novel, was written with the help of a grant from the National Endowment of the Arts. In preparing for writing this novel, Gibbons read transcripts from the Federal Writers’ Project of the Great Depression and found much inspiration in the voices of the common, average men and women. Voice, then, becomes the centerpiece of A Cure for Dreams, with three extraordinary women characters sharing their stories.
The primary narrator is Betty Davies Randolph, but the reader gets to her voice only through the frame of her daughter, Marjorie Polly Randolph. Marjorie opens the novel, and she ends it. Marjorie provides the perfect segue for Betty’s narrative as she says, “Talking was my mother’s life.” Then, the majority of the novel is told through Betty, with an occasional intrusion by Lottie O’Cadhain Davies, Betty’s mother.
The southern art of storytelling, as well as reverence for the past, is alive in this novel, for Betty immediately acquaints the audience with the details of her mother’s heritage and the stories surrounding her mother and father’s courtship and marriage. For the most part, what seemingly emerges is the portrait of a typical southern woman who will acquiesce to her husband’s wishes as Lottie follows her husband from Kentucky to North Carolina, but the picture quickly changes. When Lottie realizes that Charles merely wants a companion in the fields, she...
(The entire section is 522 words.)