The Cultural Cold War Characters
Saunders’s The Cultural Cold War is a historical monograph, not a fictional narrative, and thus the “characters” involved are real historical actors. Specifically, the book focuses on the efforts of the American Central Intelligence Agency (CIA) to cultivate close relationships with both American and European intellectuals during the height of the Cold War. Thus, these intellectuals, and the agencies within which they operated, form the historical actors and centerpiece of Saunders’s focus.
The CIA invested tremendous amounts of resources into conducting a cultural propaganda campaign in Europe during the Cold War. Critical to this task was the creation of a tight-knit, effective group of left-wing intellectuals who could produce a rich anti-Communist discourse, including activities such as the organization of conferences and seminars, the publication of journals, the conducting of public talks and interviews, and the promotion of televised and radio broadcasts. As Saunders himself describes, because the process drew
on an extensive, highly influential network of intelligence personnel, political strategists, the corporate establishment, and the old school ties of the Ivy League universities, the incipient CIA started, from 1947, to build a "consortium" whose double task it was to inoculate the world against the contagion of Communism, and to ease the passage of American foreign policy interests abroad. (page 1-2)
The participants of this anti-Communist, pro-America campaign acted primarily within the newly created Congress for Cultural Freedom, which changed its name in 1967 to become the International Association for Cultural Freedom. The name change was necessary, because as the CIA began to branch its intelligence operations further into the European heartland, it required the active participation of European intellectuals just as much as American ones. Specifically,...
(The entire section is 405 words.)