(Society and Self, Critical Representations in Literature)

“A Crown of Feathers” is the title story of a collection which won the National Book Award for 1973. Like many of Isaac Bashevis Singer’s stories, it depicts an individual pulled between belief and disbelief, between the religious and the secular, and between self and others. The story concerns an orphan, Akhsa, whose own emerging identity becomes entangled with the conflicting values of her wealthy grandparents.

Her grandfather is a traditionally religious man, a community leader in the Polish village of Krasnobród, while her grandmother, from the sophisticated city of Prague, is more worldly and possibly, it is learned after her death, a follower of false messiahs. These differences, presented very subtly at first, become more pronounced when, after her grandparents’ deaths, Akhsa internalizes their warring voices.

Each voice accuses the other of being a demon, while both battle over Akhsa’s soul. Her grandmother assures her that Jesus is the Messiah and encourages Akhsa to convert. As a sign, she has Akhsa rip open her pillowcase, where she finds an intricate crown of feathers topped by a tiny cross. Akhsa converts, makes an unhappy marriage with an alcoholic Polish squire, and sinks into melancholy. Her despair is not mere unhappiness, but a continuing crisis of faith. A demon tells her, “The truth is there is no truth,” but her saintly grandfather appears and tells her to repent.

Her grandfather’s advice leads...

(The entire section is 450 words.)


(Society and Self, Critical Representations in Literature)

Suggested Readings

Alexander, Edward. Isaac Bashevis Singer: A Study of the Short Fiction. Boston: Twayne, 1990.

Friedman, Lawrence S. Understanding Isaac Bashevis Singer. Columbia: University of South Carolina Press, 1988.

Wood, Michael. “Victims of Survival.” The New York Review of Books, February 7, 1974, 10-12.