The Crisis of the Negro Intellectual Critical Context - Essay

Harold Cruse

Critical Context

(Literary Essentials: African American Literature)

Harold Cruse’s book appeared in 1967, in the middle of student demonstrations for free speech and black studies programs at universities and colleges, the Civil Rights movement, and a Black Power movement coming to grips with the post-Malcolm X Nation of Islam. His work was widely praised and condemned, not least by African American cultural activists, politicians, historians, and literary critics. Cruse was accused of making ad hominem arguments that were unsubstantiated by real historical analysis and putting forward an unrealistic assessment of the viability of separate black political and economic institutions. Perhaps most damaging was the criticism that took Cruse to task for conflating the unique historical experience of Harlem and its populace with those of other black urban centers.

At the same time, Cruse was praised by those who were more sympathetic to the Black Power movement for his willingness to take on the sacred cows of the Civil Rights movement and the Nation of Islam, both of which, in retrospect, were already at the height of their power and influence over the general American public. Cruse’s historical analysis, however scattershot in approach, hit a few nerves for yet another reason. Cruse’s critique of integration and segregation as embodied in the figures of Martin Luther King, Jr., and Malcolm X was primarily a critique of religion-inspired movements within African American history. In taking this position, Cruse was literally going against certain presumptions underlying the trajectory of black history and culture: the unavoidable reliance of African Americans on religion (whether Christianity or Islam) in their struggles for civil, economic, and political rights and power.