Characters Discussed

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Messer Maco

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Messer Maco (MAH-koh), a wealthy fool who is in Rome to become a cardinal. He is deluded into the notion that he must first become a courtier.

Maestro Andrea

Maestro Andrea (ahn-DRAY-ah), a charlatan. Hoping to fleece Messer Maco, he promises to transform him into a courtier and gives him lessons in blaspheming, gambling, slandering, and related arts.

Signor Parabolano

Signor Parabolano (pah-rah-boh-LAH-noh), a nobleman enamored of the virtuous matron Livia.

Valerio

Valerio (vah-LEH-ree-oh), Parabolano’s loyal chamberlain, who defends his master against the jeers of the groom Rosso.

Rosso

Rosso (ROHS-soh), Parabolano’s groom, a rascal and the sworn enemy of Valerio. He plots to pander to his master’s lust, win his favor, and thus take revenge on Valerio.

Alvigia

Alvigia (ahl-VEE-jee-ah), a procuress in league with Rosso to secure Livia for Parabolano.

Togna

Togna (TOH-nyah), a baker’s wife substituted for the inaccessible Livia in a nocturnal assignation with Parabolano. She steals away to the tryst in her husband’s clothes.

Arcolano

Arcolano (ahr-koh-LAH-noh), a baker, the husband of Togna. He catches his wife in her disguise and follows her, dressed in her clothes, to the house of the procuress, where Parabolano discovers the ruse.

Livia

Livia (LEE-vee-ah), a virtuous matron and the object of Parabolano’s lust.

Camilla

Camilla (kah-MEEL-lah), a courtesan beloved by Messer Maco and used by Andrea to make a fool of him.

Bibliography

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Last Updated on May 7, 2015, by eNotes Editorial. Word Count: 208

Chubb, Thomas C. Aretino: Scourge of Princes. New York: Reynal & Hitchcock, 1940. Comprehensive, scholarly life study of the courtier and author. Discusses the composition of Aretino’s writings, including The Courtesan. Stresses the libertine character of Aretino’s life and works.

Cleugh, James. The Divine Aretino . New York: Stein...

(The entire section contains 440 words.)

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