Clarence Major

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Clarence Major Criticism

Clarence Major, born in 1936, is a notable figure in American literature, recognized for his work as a novelist, poet, critic, editor, and essayist. Although he stands somewhat apart from the mainstream of contemporary black literature due to his nonmilitant perspectives, Major is deeply engaged with African American themes. His approach is characterized by a preference for artistic exploration over sociological commentary, as he believes "people who want to write sociology should not write a novel." Major's work often weaves complex narratives that reflect on identity, freedom, and the black experience, frequently employing innovative, non-linear structures and imaginative prose. For instance, his novel No features a protagonist likened to Richard Wright's Bigger Thomas, exploring themes of violence as a form of liberation from oppression, as examined by Jim Walker. Major's contributions to literature include his novel All-Night Visitors, which, despite its structural critiques by Christopher Lehmann-Haupt, represents an exploration of love and autonomy, and Swallow the Lake, where Major's experimental poetry aims to transcend the confines of protest poetry, as noted by Frank Mac Shane. His literary output reflects a continual effort to redefine black literature, as discussed in John O'Brien's critique of The Dark and Feeling, keeping Major at the forefront of literary innovation.

Contents

  • Major, Clarence (Vol. 3)
  • Major, Clarence (Vol. 19)
    • Books of 'The Times': On Erotica
    • Books Noted: 'All Night Visitors'
    • A Range of Six
    • Book Reviews: 'No'
    • Is Black Literature beyond Criticism?
    • Five Black Poets: History, Consciousness, Love, and Harshness
    • 'Reflex and Bone Structure'
    • The Life of Fiction
    • Clarence Major
    • Notes on a Novel in Progress: Clarence Major's 'Emergency Exit'
    • A Reading of Clarence Major's Fiction
    • Clarence Major: Poet & Language Man