Critique
The Circle of Chalk, a quintessential Chinese classical play from the Yuan dynasty period (1259-1368), is distinguished by its exquisite lyrical verse. Comprising four acts and a prologue, the narrative revolves around a compelling legal drama involving murder and a contested son. At the heart of this tale is a judicious figure whose wisdom in resolving the conflict draws comparisons to King Solomon. While the original Chinese text focuses on these intricate legal and familial issues, the German adaptation infuses the story with a romantic subplot, introducing an unexpected love affair between a prince and a commoner. Additionally, the symbolic element of the chalk circle is expanded upon, enriching the thematic scope of the play.
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