Carlo Levi 

Carlo Levi stands as the central figure in his memoir, Christ Stopped at Eboli, which chronicles his experiences as a political exile in the town of Gagliano, southern Italy. Banished by Mussolini's government for his political dissent, Levi, a painter with a medical background, is compelled to use his medical knowledge upon arrival when confronted with a dying malaria victim. Realizing the local doctors are unqualified, he discreetly assists the townspeople, despite the risk of imprisonment. Levi's narrative is deeply introspective; he exhibits a compassionate nature towards the impoverished and marginalized, reflecting a profound understanding of the human condition. His political imprisonment offers him a unique perspective on the societal constraints and bureaucratic absurdities of Fascist Italy. Levi's interactions with the village gentry, who consider themselves superior yet appear petty and pretentious, further highlight the disparities between the classes. In contrast, the resilience and unity of the peasants, who view Fascism as just another oppressive force, leave a significant impression on Levi, ultimately broadening his worldview. He records these experiences meticulously, promising to return one day to the people who have influenced him so profoundly.

Luigi Magalone

Luigi Magalone, known as Don Luigi, is portrayed as the authoritarian mayor of Gagliano and a staunch Fascist. Proud of being labeled "the youngest and most Fascist mayor in the province of Matera," he enjoys his authoritative role over the exiles. Initially, Luigi strictly enforces Levi's prohibition from medical practice but later turns a blind eye after Levi provides medical assistance to his daughter. Luigi's character is marked by smugness and a desire for power, reveling in the enforcement of Fascist laws for his personal satisfaction. He attempts to ingratiate himself with Levi, perceiving him as a gentleman, which underscores his own aspirations for prestige and influence.

Giulia Venere 

Giulia Venere, a significant presence in Levi's daily life, serves as a housekeeper to both the Magalone family and eventually to Levi. Her character is deeply rooted in the superstitions and traditions of the local culture. Known as a "witch," Giulia's belief in magic and her reverence for the spiritual world provide Levi with insights into the local customs and folklore. Despite her strong practical intelligence, Giulia remains steadfast in her adherence to these mystical beliefs, encouraging Levi to continue practicing medicine under the guise of sorcery. Her character represents the intersection of the tangible and the intangible, offering Levi a rich tapestry of cultural knowledge.

Dr. Milillo 

Dr. Milillo, one of the two local doctors and uncle to Mayor Luigi, is depicted as an elderly man whose advancing years have diminished his medical competence. His initial encounter with Levi leaves the impression that he may never have truly understood medicine. Despite his gentle disposition, Milillo feels threatened by Levi's presence, fearing the loss of his standing in the community. He epitomizes the outdated and ineffective medical practice of the town's gentry, clinging to a semblance of authority while lacking genuine proficiency.

Dr. Gibilisco 

Dr. Gibilisco, the second doctor in Gagliano, is younger than Milillo but equally lacking in medical acumen. His ignorance surpasses that of his counterpart, yet he maintains a facade of confidence and demands payment from even the poorest patients. Gibilisco's demeanor is one of exasperation towards the townspeople, whom he accuses of attempting to evade their financial obligations. His perceived "feudal right" over life and death underscores his inflated sense of superiority and control, which stands in stark contrast to his actual incompetence.

Donna Caterina Magalone Cuscianna

Donna Caterina Magalone Cuscianna, the sister of Mayor Luigi, holds the influential position as the head of the local Fascist...