Chris Lynch

Start Free Trial

Biography

Download PDF PDF Page Citation Cite Share Link Share

Early Years and Educational Journey

Chris Lynch emerged as the fifth child in a bustling family of seven, nurtured within the vibrant Jamaica Plains enclave of Boston. His father, Edward Lynch, navigated city streets as a bus driver, while his mother, Dorothy O'Brien Lynch, balanced her days as a receptionist. This neighborhood once held the legacy of being a historic Irish stronghold, yet by the time Chris entered the world in 1962, it had blossomed into a tapestry that wove together a significant Hispanic community as well. With the shadow of his father's passing when he was just five, Chris fondly remembers his mother's brave efforts to shield the family from hardship, recalling, "things were pretty lean back then."

Chris's educational path meandered through Catholic schools during his formative years. Although he wouldn't describe himself as "bookish," he found delight in a Dr. Seuss Book Club, thrilled by the arrival of personalized books. His early reading list was peppered with tales of military conquests and sports legends, leaving fiction to linger "not yet" at the edges of his curiosity. Grammar school brought pleasant memories, yet high school unfolded as a "football factory" devoid of artistic encouragement. Initially, sports captivated him, but the school's rigid athletic framework, infused with a "macho ethos," ultimately repelled him.

Discovering a Passion for Writing

Disillusionment with his high school's atmosphere led Chris to leave during his junior year. After fulfilling the academic requirements, he ventured to Boston University as a political science major. Discontent with the discipline, his spirit was ignited by a course in newswriting. This sparked his discovery of a true calling, prompting a transfer to Suffolk University where he delved into journalism, even exploring a novel writing class that nudged him closer to his true aspirations. Despite the societal norms that veiled the idea of an artistic career, Chris spent six years navigating various jobs, from painting houses to steering moving vans. A stint as a financial report proofreader proved monotonous, fueling his search for more. "There had to be something more out there," he mused, enrolling in a master's program in publishing and journalism at Emerson University in 1989. He admits that even then, he "hid" behind the role of editor, not revealing his writing pursuits to his mother until the release of his debut book, Shadow Boxer, in 1993.

The Birth of a Novel

Shadow Boxer emerged from an assignment in a children's writing class, where Chris was tasked with penning five pages inspired by a childhood memory. Reflecting on this with J. Sydney Jones, Chris shared:

I had a vague idea of writing some things my brother and I had done in our youth, but as soon as I sat down with it, I was off to the races. The stuff just poured out. Before this, all my adult fiction had been too stylized, what everybody else was doing. What I thought was expected of me. I had no emotional investment in my own work; and that makes all the difference. With this assignment, the very first words actually made it into the actual published book. I was fortunate to discover early in my career that one bit of writing magic—matching yourself and your material.

Chris crafted about sixty percent of the novel during class, completing it in 1992. The narrative, which draws roughly a fifth of its essence from autobiographical threads, chronicles two brothers dealing with the aftermath of their father's death, a devoted though moderately gifted professional prizefighter. The novel's episodic structure, which Chris found "incredibly liberating," reflects his view of life as a series of...

(This entire section contains 1126 words.)

Unlock this Study Guide Now

Start your 48-hour free trial and get ahead in class. Boost your grades with access to expert answers and top-tier study guides. Thousands of students are already mastering their assignments—don't miss out. Cancel anytime.

Get 48 Hours Free Access

discrete scenes rather than smooth transitions. Influences like Sherwood Anderson'sWinesburg, Ohio and Joan Didion's Play It As It Lays helped him embrace this storytelling form, understanding that "at the end you don't miss the transitions." His writing begins with the heartbeat of characters, stating, "I don't really plot my books. I write characters; that's where it all starts."

Writing for Young Adults

The poignant echoes of his own youthful challenges have shaped Lynch's literary pursuits, aimed at engaging young adult readers. He holds this audience in high esteem, asserting, "It is not worth less to create work for a fifteen-year-old than for a forty-year-old." Drawing from his own life, he champions the notion that adolescents grapple with complexities and concerns as intricate as any other age group. Defining his niche further, Chris distinguishes between age stages, noting, "As they are not children, adolescents are also not adults. They are Young Adults." His fascination with the tumultuous transition from childhood to adulthood resonates in his observation: "Writing about the great lurch from childhood to adulthood is just as frightening, exhilarating, complicated, and dangerous as living it was (remember that?)."

The Genesis of Iceman

Amidst the final touches on Shadow Boxer, Lynch was already delving into the raw creation of his next narrative, Iceman. In a candid conversation with Jones, he described this work as "the closest to being autobiographical in the whole inability to express yourself." It explores where unspoken frustrations are channeled. The protagonist's seething anger and the simmering turmoil within his family resonate with the conflicts of Shadow Boxer, while also casting a shadow toward Gypsy Davey. In this tale, we meet a tender-hearted, slightly brain-injured youth, who valiantly attempts to rescue his nephew from the maelstroms of neglect in a crumbling urban landscape. Lynch's first trio of novels, alongside the Blue-Eyed Son trilogy of 1996, confront the undercurrents of racial tension in Boston that have persisted beneath the surface. They explore the tempestuous journey of adolescents grappling with self-identity and societal perception, focusing on characters who wield their physical might to navigate life's hurdles.

An Exploration of Youth: Slot Machine

Slot Machine presents yet another journey of youthful exploration, following the misfit Elvin Bishop. Thirteen and detached from the conventional currents of his community, Elvin finds himself thrust into a summer at a Christian Brothers camp meant to groom him for high school. Through Elvin's voice, which Lynch admits "more closely represents the way I talk than the other narrators," readers are ushered into a narrative where life's events, though grim, are painted with a brush of sardonic humor. Elvin, lacking athletic prowess and thus a "slot" in the camp's rigid social framework, manages to imbue the story with a tone distinct from Lynch's earlier works.

This exploration of spirit continues in Political Timber, where Lynch captures the whimsy of a high school senior campaigning for mayor in a New England town. Inspired by a whimsical photograph in the newspaper, Lynch adored the carefree spirit of the youth and pursued that narrative. His talent for breathing life into his protagonists is evident, showcasing young men who, with fervent energy, rise to meet life's challenges without succumbing to despair.

Previous

Summary

Loading...