Charlotte Dacre Criticism
- Principal Works
- Introduction
-
Essays
- Review of Confessions of the Nun of St. Omer
- Review of Zofloya; or the Moor.
- Review of Zofloya; or the Moor.
- Shelley's Zastrozzi and St. Irvyne
- Byron's ‘Lovely Rosa’
- Charlotte Dacre
- ‘My Brain is Feminine’: Byron and the Poetry of Deception
- Avatars of Matthew Lewis's The Monk: Ann Radcliffe's The Italian and Charlotte Dacre's Zafloya: Or, The Moor.
- ‘I hasten to be disembodied’: Charlotte Dacre, the Demon Lover, and Representations of the Body
- Charlotte Dacre's Zofloya: A Case Study in Miscegenation as Sexual and Racial Nausea
- Introduction to Zofloya; or, The Moor
- Female Pseudonymity in the Romantic ‘Age of Personality’: The Career of Charlotte King/Rosa Matilda/Charlotte Dacre
- Charlotte Dacre and the Feminization of Violence
- Further Reading