Carlos Fuentes’s A Change of Skin is a difficult novel when judged by almost any standards. At least part of its difficulty lies in the fact that it continually frustrates the reader’s expectations of what a novel should be, and of how a novel should be constructed. The average reader expects the novel to “tell a story,” to recount in some intelligible way events which at least could have happened in the “real world.” The reader expects the novel, in a word, to be mimetic. Yet in A Change of Skin, Fuentes constructs a world that is absolutely and self-reflexively fictional and then deliberately destroys this world, causing it to collapse, like the Cholula pyramid of its final scene, under the weight of its own artifice.
The story of A Change of Skin is fairly straightforward. Javier, a frustrated Mexican writer, and his American Jewish wife, Elizabeth, are traveling from Mexico City to Veracruz to spend a holiday. They are accompanied by Franz, a Czechoslovakian who aided in the construction of the Nazi concentration camp at Theresienstadt and then fled to Mexico after the war, and his young Mexican mistress, Isabel. After leaving Mexico City, the couples stop to see the pre-Columbian ruins at Xochicalco and then continue to Cholula to see the pyramids. Their car is sabotaged and they are forced to spend the night in Cholula. There they are joined by the ubiquitous Narrator, who has been traveling to Cholula by the...
(The entire section is 414 words.)