Ceremony is a novel about wholeness and what happens to a person, a community, and a universe when any one part or person is not integrated into that whole. Separation, alienation, and disease, Silko and the Laguna people claim, result from failing to remember the stories and one’s role in them, to recognize the integral connection of all things and all people, and to acknowledge the need to maintain the balance of the world through the creation of new ceremonies. Tayo’s discovery that “it took a great deal of energy to be a human being,” that human beings are inextricably connected to everything around them, is the focus of this novel.
The world to which Tayo awakens from his catatonic “white smoke” consciousness following his imprisonment by the Japanese in the Philippines is first a veterans’ hospital and then his aunt and uncle’s ranch on the Laguna reservation. It is all he can do to get up from his bed without being overwhelmed by nausea. The six-year drought has transformed the landscape to desolation. Drunken veterans recount their uniformed heroics—sleeping with white women who thought they were Italians, killing Japanese soldiers, and returning to an Indian world where their military and macho exploits mean little. They fill the time with war stories; they have become agents of fragmentation and destruction. Participating in war has defiled them. They embody the witchery described in the poem: Just as the gambler stole the rain, the veterans have driven it away with their killing.
The Laguna abhor warfare, and they have developed cleansing rituals for those who have killed. While Pinkie, LeRoy, Emo, and Harley are lost, Tayo must be purified. The process begins at Betonie’s hogan, where the old man tells him that “the ceremonies have always been changing” and that he, like others before him, must create new ceremonies to ward...
(The entire section is 773 words.)