The Cenci: A Tragedy in Five Acts

The Cenci: A Tragedy in Five Acts Criticism

• Introduction
• Principal Works
• Essays
  • Unsigned Review, The Literary Gazette, and Journal of Belles Lettres, Arts, Sciences
  • Leigh Hunt, Review
  • Introduction to The Cenci: A Tragedy in Five Acts
  • The Stage History of Shelley's The Cenci
  • Shelley's Orsino: Evil in The Cenci.
  • Restless Casuistry: Shelley's Composition of The Cenci
  • The Structure of The Cenci
  • The Cenci: Shelley vs. the Truth
  • Beatrice Cenci and Shelley's Avenger
  • Beatrice Cenci and Shelley's Vision of Moral Responsibility
  • Shelley's Use of Vampirism in The Cenci
  • Shelley's The Cenci: Corruption and the Calculating Faculty
  • Imagination versus Introspection: The Cenci and Macbeth
  • The Socialized Imagination: Shelley's The Cenci and Prometheus Unbound
  • The Incest Motif in Shelley's The Cenci
  • The Ethical Politics of Shelley's The Cenci
  • Justice in The Cenci.
  • Religion and Patriarchy in Shelley's The Cenci
  • The Harmony of the Horrorscape: A Perspective on The Cenci
  • Reflection in a ‘Many-Sided Mirror’: Shelley's The Cenci through the Post-Revolutionary Prism
  • Allegory and Dramatic Representation in The Cenci
  • Finding an Audience: Beatrice Cenci, Percy Shelley, and the Stage
  • Shelley's The Cenci: Economies of a ‘Familiar’ Language
  • No Way for a Victim to Act?: Beatrice Cenci and the Dilemma of Romantic Performance
• Further Reading