Setting
Much like in Hunter's other tales, the backdrop in Cat, Herself is not just a mere setting but an essential character in its own right. The narrative unfolds across the sprawling and picturesque Scottish countryside, with the travelers never lingering long enough for the landscape to lose its charm. Their journey takes them through quaint towns and rustic farms, over majestic mountains, imbuing each place with its unique touch. The story kicks off with an abrupt upheaval as the travelers are compelled to leave their winter haven, spurred by false allegations of poaching against Cat. Thus begins their odyssey through the heart of Perthshire, where they attempt to peddle their goods, skirt the mystical waters of Loch Ness, and find solace in a secluded glen where Cat's mother twirls her sorrow away in a dance.
In time, their voyage leads them to the "enchanted land" of Loch Loyal. Here, the essence of the place is poignantly expressed by Cat's grandmother, who shares that no matter how far one roams, "always something that calls you back to some place that feels special to you maybe because it's the place where it all started. And you can't be at peace till you see it again. That's 'home' for a traveler." For Cat and Nan, this mystical locale is their true sanctuary.
Though perceived as relics from a bygone era by many they encounter, the tale firmly plants its roots in the early 1970s. It is a period fraught with challenges for the travelers, as they navigate a world where finding open spaces to pitch tents grows ever more challenging. Despite this, they endure the relentless prejudice from "settled people," though the winds of change are stirring as new laws begin to afford them rights to rest and respite.
Literary Qualities
At certain moments, Cat, Herself evokes the essence of a vivid folk tale, where characters meander through the rustic countryside, stumbling upon lands that seem touched by magic. Along their journey, they encounter both gallant allies and devious foes. The novel weaves in two captivating folk tales shared by Cat's grandmother. The first spins a poignant love story of two souls united even in death, while the second narrates the mischievous escapades of a man beset by work fairies. These tales resonate deeply with Cat’s own experiences, foreshadowing the pivotal choices she faces. Much like a classic folk heroine, Cat unveils a unique talent, which she learns to cherish over time. Ultimately, after enduring numerous challenges, Cat opts for a modest folk wedding ceremony.
The narrative unfolds meticulously across three chapters, each symbolizing a distinct era in Cat's journey. Part I, "The Enchanted Land," portrays Cat's awakening into womanhood as she uncovers her inherited "gift." A concise section, "Interlude," seamlessly transitions the storyline from Part I to Part II, "Kissing Time," where Cat charts the path of her destiny and eventually weds Charlie Drummond.
Cat's perspective guides the tale, as she, much like the reader, begins to grasp the nomadic lifestyle of the travelers. Hunter masterfully intensifies the suspense by weaving glimpses of the future that Cat discerns. The story is further enriched by the cycle of births and deaths that Cat witnesses, alongside recurrent events like the travelers' return to familiar places, highlighting the perpetual rhythm of their existence. Parallel scenes abound, such as Ilsa's dancing in the glen mirrored by Cat's bathing in the river, and Daddler Drummond's violent outburst juxtaposed with Charlie's near assault on Cat, illustrating the intertwined destinies of the younger travelers.
For Further Reference
Bulletin of the Center for Children's Books 39 (April 1986): 149. An effusive review, lauding the novel for its vibrant characters, engaging dialogue, and seamless narrative rhythm. The critique highlights the dual themes of prejudice against nomadic communities and the journey of self-discovery.
Hickman, Janet. "Profile: The Person Behind the Book—Mollie Hunter." Language Arts 56 (1979): 302-306. A comprehensive overview of Hunter's early works, offering insights into the depth of her research and the dedication she pours into her storytelling.
Hunter, Mollie. Talent Is Not Enough: Mollie Hunter on Writing for Children. New York: Harper, 1976. In this compelling collection of essays, Hunter delves into the intricacies of her life and the artistry of her craft.
Lewis, Marjorie. Review. School Library Journal 32,9 (1986): 104. The critique notes that, although the characters may seem like uninspired stereotypes, the novel occasionally bursts with moments of beauty, fervor, and insight.
Twichell, Ethel. Review. Horn Book 62 (1986): 455. This favorable review commends Hunter's adept writing and her nuanced portrayal of Catriona McPhie, bringing the character to life with skill.
Walker, Christine. Review. School Librarian 34,1 (1986): 73. The reviewer appreciates the novel's meticulous craftsmanship but questions its target audience and whether Bridie's refinement aligns with her environment.
