Published only five years before Sinclair Lewis’s death, Cass Timberlane is one of two late works (the other being Kingsblood Royal, 1947) that compare favorably with his five major novels of the 1920’s. As in earlier novels such as Babbitt (1922) and Elmer Gantry (1927), Lewis uses a memorable character to dramatize a particular social problem.
Lewis’s subtitle, A Novel of Husbands and Wives, reveals the major theme and basic structural pattern of Cass Timberlane. The novel examines the institution of marriage through numerous comparisons and contrasts. Interrupting the main narrative of Cass and Jinny are fifteen brief accounts of other husbands and wives. Some are friends of the Timberlanes; others are residents of Grand Republic who have little or no connection with the main plot. In some cases, these accounts—labeled collectively “An Assemblage of Husbands and Wives”—are character sketches with little action. Others are narratives with economical but well-developed plots.
Among the marriages portrayed by Lewis, no more than five are successful. The others range from quietly desperate to violently destructive. For example, Nestor and Fanny Purdwin have been married for fifty years, but their time together has been as monotonous as the unvaried breakfasts of porridge they have eaten every morning for all those years. Roy and Lillian Drover are considered one of the happiest couples in Grand Republic, but Roy is repeatedly unfaithful, Lillian considers suicide, and their two sons enjoy killing things. To escape from a truly vicious wife, Allan Cedar attempts suicide, but she defeats him even in this grim effort. In response to his marital problems, Vincent Osprey becomes a drunk and eventually succeeds in jumping to his death from a hotel window.
By recent standards, Lewis’s depiction of sexuality is modest, but he documents the power of passion and displays a range of behaviors without resorting to graphic details. He alludes at times to the ideas of Sigmund Freud and Richard von Krafft-Ebing, and some of the accounts of husbands and wives sound like case studies of psychosexual problems. In George Hame’s case, incestuous desire for his own daughter threatens his marriage. Sabine Grossenwahn is a nymphomaniac who spends part of her wedding night with a man other than her husband. Norton Trock calls his mother...
(The entire section is 989 words.)