In "The Cask of Amontillado," Fortunato is lured by Montresor into the catacombs under the pretense of tasting a rare wine. Montresor chains Fortunato to a wall and bricks him into a niche, leaving him to die. Fortunato likely dies of starvation, as the catacombs have air and water but no food. Montresor's plan is successful, as Fortunato's remains remain undisturbed for fifty years, symbolizing Montresor's complete revenge.

Montresor and Fortunato in "The Cask of Amontillado" are both wealthy, from influential families, and have a keen interest in wine, which Montresor exploits to exact his revenge. While they share a background in wine and pride, their personalities differ significantly. Montresor is cold, calculating, and vengeful, meticulously planning Fortunato's demise without remorse. In contrast, Fortunato is portrayed as jovial, trusting, and somewhat naive, which ultimately leads to his downfall.

In "The Cask of Amontillado," Fortunato's name, derived from the Latin "Fortunatus," means "fortunate" or "blessed." This is deeply ironic because Fortunato's fate is anything but fortunate. Despite his name's association with prosperity and happiness, Fortunato is deceived and ultimately murdered by Montresor. His indulgent behavior and gullibility lead to his grim demise, contrasting starkly with the blessed connotations of his name.

In "The Cask of Amontillado," Montresor is the protagonist, despite being a villainous character, as he drives the story's action and narrates the tale. Fortunato serves as the antagonist, albeit passively, as the story revolves around Montresor's revenge against him. The lack of detail about Fortunato's insult and the story's focus on Montresor's perspective complicate the typical roles of protagonist and antagonist, showcasing Poe's narrative brilliance.

In "The Cask of Amontillado," Montresor kills Fortunato as a response to a perceived insult, acting upon his sense of pride and honor. Montresor's jealousy towards Fortunato's status and happiness is also suggested as a motive. The murder is portrayed as an act of revenge, symbolized by Montresor's family motto: "Nemo me impune lacessit," which translates to "no one harms me without punishment."

Montresor makes sure that Fortunato is drunk because this will dull Fortunato's reflexes and ability to think clearly. Fortunato's drunkenness prevents him from questioning the strangeness of the circumstances as well as from reacting swiftly enough to prevent himself from being chained to the wall.

Montresor feels wronged by Fortunato and intends to avenge himself in perfect revenge.

Montresor's hatred for Fortunato in "The Cask of Amontillado" is primarily due to perceived insults and injuries, though the specifics are never revealed. Montresor claims Fortunato inflicted "a thousand injuries" and an unspecified insult, suggesting that Montresor's pride was severely wounded. However, Montresor's reasons seem exaggerated and possibly imaginary, indicating his unstable mental state. Fortunato appears unaware of Montresor's animosity, highlighting the irrational nature of Montresor's vendetta.

In "The Cask of Amontillado," Fortunato more than likely died of asphyxiation or starvation behind the wall that Montresor erected inside his family's catacombs.

In "The Cask of Amontillado," Montresor is a static character, as he remains consistent in his vengeful intent and demeanor throughout the story. Despite his complexity and multifaceted nature, he does not undergo significant change. Fortunato is also static, lacking inner development, though he becomes sober and aware of his fate. Montresor is complex and somewhat dynamic, showing psychological depth, whereas Fortunato is simpler and less dynamic.

Montresor chose an elaborate revenge to ensure Fortunato's slow and torturous death, achieving a sense of "sweet revenge" and "punishing with impunity." Rather than a simple stabbing, which risked being caught and left the body to dispose of, Montresor lured Fortunato into the catacombs to entomb him alive, savoring his suffering. This method aligned with Montresor's sadistic tendencies and desire for control, while also ensuring the crime remained undiscovered.

Fortunato's exact age in "The Cask of Amontillado" is not specified. He is portrayed as a wealthy connoisseur of fine wines, suggesting he is part of the elite. His behavior during the carnival season, including his jester costume, implies youth, while his severe coughing fit might suggest older age. Considering these clues, Fortunato could be in his thirties, but interpretations vary, and he might be younger or older.

The two men have in common a knack for making money by dealing in rare things. They are both connoisseurs of such things as paintings, antiques, jewelry, and fine wines. They are both sometimes competitors and sometimes partners in business transactions. The answer is D: Montresor and Fortunato are both on an expensive but frugal diet. It might seem odd that Montresor would be able to afford his expensive tastes on a modest income as described by him. He says he has only one servant, and he has such expensive tastes that he cannot afford to buy Amontillado at the going price of six francs a bottle. He must "borrow"

Fortunato's specific offenses against Montresor are never explicitly revealed in "The Cask of Amontillado." Montresor cites enduring "a thousand injuries" from Fortunato and decides to seek revenge after an unspecified insult. The story implies that Fortunato's transgressions may involve wounding Montresor's pride, as seen when Fortunato doubts Montresor's wine purchase and questions his status as a Freemason. Ultimately, the nature of the insult is left to readers' interpretation.

Fortunato is portrayed as greedy in "The Cask of Amontillado" through his excessive desire for both wine and the respect of others as a wine connoisseur. Montresor exploits Fortunato's pride in his wine expertise by suggesting uncertainty about an amontillado purchase, prompting Fortunato to insist on verifying it himself. His greed is further highlighted by his eagerness to drink more wine, ultimately leading him to his demise.

Montresor in "The Cask of Amontillado" is a proud, vindictive, and cunning character, embodying the perfect persona for committing a crime undetected. His facade of friendship towards Fortunato masks deep-seated hatred. Poe may have chosen him as the narrator to explore themes of revenge and to create a "perfect crime" narrative set in a distant past, avoiding contemporary censorship. Montresor's character also reflects Poe's own struggles and grievances.

The relationship between Montresor and Fortunato shifts from an apparent friendship to one of complete dominance and revenge. Initially, Montresor pretends to maintain friendly relations with Fortunato, despite harboring deep resentment for an unspecified insult. As the story progresses, Montresor reveals his true intentions by luring Fortunato into his catacombs and leaving him to die. This transition highlights Montresor's calculated cruelty and the power shift from Fortunato to Montresor.

Fortunato is an expert in wine, which Montresor exploits to lure him into the catacombs under the guise of verifying a nonexistent cask of Amontillado. Montresor feigns seeking Fortunato's expertise to ensure the wine's authenticity, knowing Fortunato's pride and greed will lead him to follow. Fortunato's supposed connoisseurship provides Montresor with a credible pretext for the trap, ultimately leading to Fortunato's demise.

In "The Cask of Amontillado," Fortunato's time to die depends on the air supply in the sealed chamber. If air is limited, he could die in minutes. However, Poe suggests that Fortunato might have enough air to survive longer but not beyond three weeks, as starvation would set in. Montresor likely intended for Fortunato to suffer a prolonged, miserable death, possibly exacerbated by dehydration and the damp, nitre-filled environment.

Montresor killed Fortunato in his family crypt for several reasons, foremost being that the murder could not be easily discovered by others.

Based on their conversation, Montresor appears as a loyal and thoughtful friend, while Fortunato comes across as proud and stubborn. Montresor uses reverse psychology, suggesting concern for Fortunato's health, which Fortunato dismisses due to his pride and elitism. Montresor's polite and seemingly caring demeanor effectively conceals his vengeful intentions, while Fortunato's arrogance blinds him to Montresor's true motives, making Montresor's plan successful.

In "The Cask of Amontillado," Fortunato's exact crime remains unspecified. Montresor, the narrator, mentions enduring "a thousand injuries" and an unspecified "insult," but never details these grievances. The story suggests that Fortunato's offenses might have been trivial, as he remains unaware of Montresor's hatred. Some interpretations suggest Fortunato's materialism and pride, illustrated by his reckless pursuit of Amontillado, contribute to his downfall. Ultimately, Montresor's motives are ambiguous, highlighting themes of revenge and deception.

The narrator, Montresor, is happy to meet Fortunato because it allows him to enact his long-planned revenge for the insults he has suffered. He uses the opportunity of the carnival season, when Fortunato is drunk and less aware, to lure him into a trap. Montresor exploits Fortunato's pride in his wine connoisseurship to entice him to the cellar, where Montresor plans to murder him, fulfilling his desire for retribution.

While Montresor claims revenge as his motive for killing Fortunato, it is possible he had other reasons, such as eliminating a business competitor. The story suggests they both dealt in valuable items, and Fortunato's "thousand injuries" might refer to business conflicts. Montresor's careful, premeditated plan and his boasting tone suggest he might not have been driven solely by revenge, although his reliability as a narrator is questionable.