Basil Davenport
["Reflections in a Golden Eye"] is a sad disappointment, not only after [Miss McCullers'] remarkable first novel, "The Heart Is a Lonely Hunter," but after its own opening pages. It is instantly plain that the book is by some one who can write, with a haunting power and suggestiveness that can be felt at once; but it all too soon becomes clear that the story is a vipers'-knot of neurasthenic relationships among characters whom the author seems hardly to comprehend, and of whose perversions she can create nothing. On the first page she promises us a murder on an army post, involving "Two officers, a soldier, two women, a Filipino, and a horse"; and it is no joke, but the simple truth, to say of this cast, the horse is the only one for whom one can feel comprehension of his character and pity for his tragedy….
Such a collection of sick and unnatural souls could become the stuff of tragedy only if handled with the greatest comprehension, and woven into a pattern which gave some logical conclusion to the bent of each character. Neither of these conditions is here fulfilled. The murder which we have been promised comes as an anticlimax, not because the preceding emotions are too great, but because so many of the narrative threads do not lead to it, and because it is no resolution even of those which do: the book does not culminate in tragedy, it trails off into futility. And to Miss McCullers her characters' vagaries seem merely something to be cold-bloodedly chosen for their bizarrerie, contemplated, and set down, without pity or comment or any sort of use. (p. 12)
Basil Davenport, in The Saturday Review of Literature (copyright, 1941, by The Saturday Review Co., Inc.; reprinted with permission), February 22, 1941.
Get Ahead with eNotes
Start your 48-hour free trial to access everything you need to rise to the top of the class. Enjoy expert answers and study guides ad-free and take your learning to the next level.
Already a member? Log in here.