Places Discussed

(Critical Guide to Settings and Places in Literature)


*Andalusia. Southern province of Spain that is the story’s principal setting. Don José’s narrative to the scholar from his jail cell forms the main body of the tale; he dwells on his recent life as a smuggler and thief for a gang in which his lover, Carmen, acted as a lookout. His story moves from location to location in a wild landscape made up of hills and gorges where he and his fellow brigands pursued a criminal existence.

As he had done in his first experiment with the novella genre in his acclaimed Colomba (1841) set in Corsica, so now Prosper Mérimée again uses an exotic and colorful setting, not faraway places but rather those with sharply different cultures. Indeed, the Spanish landscape becomes part of the very fabric of Carmen. For all that, to avoid offending Spanish friends and sensitivities, Mérimée makes Don José Navarro a Basque and Carmen a gypsy. His 1847 revision of his novella concludes with a chapter on gypsy customs and dialects, but not before identifying the locations in southern Spain (and elsewhere) where gypsies are to be found.

The archaeologist-narrator meets Don José for the first time at a grassy, watery ravine that stands in contrast to the wildness of most other sites mentioned in the story; it is symbolic of the tempo of the novella, which speeds up as its denouement approaches. Eventually, locations in this action-packed drama barely flash by. Thus,...

(The entire section is 491 words.)


(Great Characters in Literature)

Cogman, Peter. Mérimée: Colomba and Carmen. London: Grant & Cutler, 1992. A detailed account of the two texts, paying particular attention to their use of the exotic and their deployment of femmes fatales.

Horrocks, Gillian. “A Semiotic Study of Carmen.” Nottingham French Studies 25 (1968): 60-72. A brief but interesting structuralist analysis of the story.

Raitt, A. W. Prosper Mérimée. London: Eyre & Spottiswoode, 1970. A comprehensive study of the author’s life and works. Includes a detailed discussion of Carmen.

Segal, Naomi. Narcissus and Echo: Women in the French Récit. Manchester: Manchester University Press, 1988. A feminist analysis that discusses Manon Lescaut and Carmen as classic instances of women being blamed by male narrators for their own shortcomings.

Tilby, Michael. “Language and Sexuality in Mérimée’s Carmen.” Forum for Modern Language Studies 15 (1979): 255-263. An analysis of the way in which Mérimée employs his borrowings from George Henry Borrow to establish Carmen’s alluring sexual exoticism.