Last Updated on May 6, 2015, by eNotes Editorial. Word Count: 245
*Aetolia (ee-TOH-lee-ah). Ancient city-state in western Greece, near which Hegio lives close to an unnamed harbor town. Aetolia is at war with Elis, another city-state, located on southern Greece’s Peloponnesian Peninsula, which is home to Hegio’s son Tyndarus, a captive since his boyhood.
Plautus’s historical sources, if any, for this drama are unknown, but it is likely that any two warring Greek regions would have met his dramatic needs. The war that threatens to separate Hegio from his sole remaining son in fact reunites his family. The Greek setting is typical of the Roman playwright Plautus, who used many Greek plots, characters, and plot devices, though the story’s mores are more Roman than Greek. By using Greek settings he could comment on Roman foibles from a distance.
Hegio’s house. Though the audience never sees inside it, Hegio’s house stands as a symbol of the captivity of his sons, Tyndarus and Philocrates. For Hegio’s houseguest Ergasilus it is a place to practice his parasitism, and for the plot is it a convenient meeting place for the various characters. For the Roman audience, the home, placed a short distance out of town, is symbolic of family and the high value it held in that culture. From the beginning, however, it is also symbolic of the disguised homecoming of Hegio’s lost son, as well as of the errant slave Stalagmus, who can and does identify him.
Last Updated on May 6, 2015, by eNotes Editorial. Word Count: 184
Beacham, Richard C. The Roman Theatre and Its Audience. London: Routledge & Kegan Paul, 1991. Explains the physical aspects of Roman theater with illustrations and speculates on the nature of the ancient audience. Useful for production ideas.
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