Literary Techniques
The Campaign, hailed by some critics as a pinnacle in Fuentes' literary career, weaves a narrative of intriguing subtlety and intricate layers, yet eschews the experimental writing that marks his other acclaimed novels. Instead, it presents a more accessible read, offering consistent enjoyment throughout its pages. As is Fuentes' hallmark, the novel delves into a profound exploration of history, zeroing in on the turbulent wars that forged the independence of various Latin American nations.
Letters and Revolutionaries
The tale unfolds through the letters of Baltasar Bustos, a fervent revolutionary, dispatched to his compatriots in Buenos Aires, the city where his legendary journey began. Bustos is a character full of contradictions: romantically idealistic yet physically short-sighted. As Argentina teeters on the brink of its May revolution, he attempts to ignite justice in his homeland by swapping a black infant for the newborn son of the Marquisa de Cabra, wife to the Presiding Judge of the Rio de la Plata Viceroyalty. This audacious act triggers a cascade of comedic and tragic events, beginning with his accidental blaze, which claims the life of the black child and leaves him fearing the white one has also perished.
The Continental Tapestry
Fuentes masterfully paints the South American continent of 1810-1820 with broad strokes. Bustos, after catching a glimpse of Ofelia Salamanca in a state of undress, finds himself ensnared by love and justice, trailing them across Upper Peru, Chile, Bolivia, Venezuela, and ultimately Mexico. His adventures unfold in letters that Varela meticulously reshapes into a cohesive narrative, infusing them with philosophical perspectives inspired by Denis Diderot, echoing Fuentes’ own intellectual pursuits.
Historical Panorama and Personal Growth
The novel presents a sweeping tableau of early Latin American history from the eve of the revolutionary fervor of May 24, 1810, to 1820 when Bustos finds himself among Mexican insurgents. His intellectual journey is fueled by literature smuggled into Argentina under the guise of religious artifacts—chalices and priestly vestments—slipping past unwitting customs officials. While the Holy Office attempts to stifle thought by banning Enlightenment philosophers and novels alike, Bustos and his compatriots gather in Buenos Aires’ Cafe de Malcos, exchanging revolutionary ideas. Though he is a student of law, it is amidst the tumult of the independence fighters that his true education unfolds. The novel transforms into a bildungsroman, chronicling his evolution from naive youth to seasoned adult.
The liberation armies, composed predominantly of Indians, blacks, and mulattos, reveal to Bustos a harsh truth: genuine justice and equality remain elusive dreams. Racial inequality, Fuentes argues, has deep roots within Latin America's history. Bustos' ignorance of the gauchos on his father’s ranch and the unfamiliarity with the Indians in Upper Peru highlight his sheltered upbringing. It’s little surprise that the warlord priest, Ildefonso de las Munecas, dubs him a boy and child. Allowed a chance to address the Indians with revolutionary zeal, he soon encounters a guide who reframes his understanding. "You spoke to these people from a mountaintop. Now you must descend to the poor land of the Indians," guides Simon Rodriguez. Fuentes adroitly navigates his protagonist through the stages of this descent. Within a cave, Bustos is confronted by a vision of El Dorado, a gilded city of the Indian imagination, which unsettles him. His philosophical beliefs falter before such grandeur. Simon Rodriguez departs, leaving Bustos in a hospital amidst the quest for new disciples. Upper Peru, rather than being a bastion of Rousseau’s natural unity, teems with self-serving guerrilla forces led by power-hungry caudillos.
The Path to Understanding
After recuperating at his father's estate, Bustos reengages in the struggle under General José de Martín. His...
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journey takes him to a Venezuelan brothel, where he tends to an ailing English prostitute, but his true awakening to the plight of the Indians does not reach fulfillment until meeting Anselmo Quintana in Mexico. This former priest reveals the essence of revolution: forging political structures blending Indian and Spanish traditions.
The Unfolding Mystery
In a denouement tinged with mystery, the veils over Bustos' endeavors are partially lifted. Ultimately, he encounters Ofelia Salamanca, yet the meeting is anticlimactic. In her waning health, she entrusts her son—whom Bustos once feared he had killed in Buenos Aires’ blaze—to his care. His sight, however, is not fully restored. He remains oblivious to the boy's true parentage—his friend Manuel Varela's son, born of a two-year affair with Ofelia. As he returns to Argentina, the campaign concludes with Ofelia’s memory laid to rest, leaving Bustos to face an ordinary life anew.
Literary Precedents
Baltasar Bustos strides through life as a modern-day Don Quixote, ever on the lookout for gallant escapades and his own vision of a beloved Dulcinea. Drawing inspiration from the literary world, Fuentes has likened Bustos to Pierre Bekuzov, the rotund and bespectacled hero found within the pages of War and Peace. Unlike Pierre, who is held captive by Napoleon's forces rather than fighting the battle himself, Bustos channels the essence of Voltaire's Candide, journeying through a seriocomic tale where a young dreamer grapples with the complexities of the human condition.
Exploring the Wars of Independence
In 1989, Gabriel Garcia Marquez presented The General in His Labyrinth, a poignant exploration of the Wars of Independence. The narrative follows Simon Bolivar, the Great Liberator, as he is carried downriver and into the shadows of exile, all the while battling a mortal illness that foreshadows his end. Bolivar's grand vision of uniting South American nations remains an unrealized dream, as the liberated lands fracture into discordant, independent states. His passing is shrouded in despair. This novel, sharing the literary stage with Fuentes' own The Campaign in 1990, is whimsically referenced towards the conclusion of Fuentes' tale. Varela, a character within, dismisses a manuscript sent from Colombia, deeming it too bleak to publish. Yet, Fuentes himself maintains a slightly brighter outlook on the tumultuous era of the Wars of Independence.