What did the British theatre prematurely lose in Cecil Taylor last December?
Well, it may not be relevant to say so in a critical column; but it lost a very nice, very good man….
He began his career in 1962 with Aa Went te Blaydon Races, a play he later admitted ingenuously expecting to provoke revolutionary incidents in the centre of Newcastle-on-Tyne. He was always a committed socialist, but one who increasingly came to annoy the ideologically straight and narrow, because he couldn't help seeing the flaws in the human material from which socialism would have to be built. His characters like to think of themselves as enlightened, progressive, or simply good. The drama, and...
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