Juan Rulfo’s collection The Burning Plain, and Other Stories contains a variety of short stories ranging from brief character sketches such as “Macario,” an interior monologue by a mentally deficient boy; to longer, more complex tales such as the title story, “El llano en llamas” (“The Burning Plain”), which follows the skirmishes of a band of revolutionaries led by Pedro Zamora; or the haunting but humorous “Anacleto Morones,” in which a flock of women dressed in black descend upon the porch of the narrator to interrogate him about the death of Anacleto Morones. In one story, “Luvina,” the narrator describes moving to the village of San Juan Luvina with his family to become the schoolteacher. He finds a dried-up town, where the old women flock like bats and nothing grows. This story in particular recalls the deserted town of Comala in Rulfo’s novel Pedro Páramo.
Although the stories in the collection are varied in terms of length, point of view, and narrative method, certain common features emerge. Death is a constant in all of the stories. In “Talpa,” a dying husband, his wife, and the husband’s brother make a pilgrimage to a sacred site in hopes of a miraculous cure for the husband. The wife and the brother-in-law are in love, and they know full well that the husband will probably not survive the trip. In stories like “La cuesta de las camarades” (“The Hill of the Comadres”), “Díles que no...
(The entire section is 437 words.)