To Build a Fire Significant Motifs
by Jack London

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Significant Motifs

Cold: In its omnipresence and destructiveness, the cold temperature functions as the antagonist of the story, creating the conflict the protagonist must overcome. The narrator’s descriptions of the climate—and the man’s initial nonchalance—create dramatic irony, foreshadowing the man’s demise. 

  • “Day had broken cold and grey, exceedingly cold and grey, when the man turned aside from the main Yukon trail . . .” 
  • “Fifty degrees below zero meant eighty odd degrees of frost. Such a fact impressed him as being cold and uncomfortable, and that was all. It did not lead him to meditate upon his frailty as a creature of temperature . . .” 
  • “That man from Sulphur Creek had spoken the truth when telling how cold it sometimes got in the country. And he had laughed at him at the time! That showed one must not be too sure of things. There was no mistake about it, it was cold.” 
  • “When it is seventy-five below zero, a man must not fail in his first attempt to build a fire—that is, if his feet are wet. . . . the circulation of wet and freezing feet cannot be restored by running when it is seventy-five below. No matter how fast he runs, the wet feet will freeze the harder.”

Fire: From its first appearance in the title to its final mention in the last line of the story, fire is a potent symbol. It represents hope, life, and survival. Fire directly correlates with the man’s physical and emotional state, and fire is fundamental to the relationship between the man and his dog. 

  • “He would be in to camp by six o’clock; a bit after dark, it was true, but the boys would be there, a fire would be going, and a hot supper would be ready.” 
  • “. . . he would have to build a fire and dry out his foot gear. This was imperative at that low temperature—he knew that much; and he turned aside to the bank, which he climbed.” 
  • “But he was safe. Toes and nose and cheeks would be only touched by the frost, for the fire was beginning to burn with strength. He was feeding it with twigs the size of his finger. In another minute he would be able to feed it with branches the size of his wrist, and then he could remove his wet foot-gear, and, while it dried, he could keep his naked feet warm by the fire. . . . The fire was a success. He was safe.” 
  • “He worked methodically, even collecting an armful of the larger branches to be used later when the fire gathered strength. And all the while the dog sat and watched him, a certain yearning wistfulness in its eyes, for it looked upon him as the fire-provider, and the fire was slow in coming.” 
  • “There were no signs of a fire to be made, and, besides, never in the dog’s experience had it known a man to sit like that in the snow and make no fire. As the twilight drew on, its eager yearning for the fire mastered it . . . A little longer it delayed, howling under the stars that leaped and danced and shone brightly in the cold sky. Then it turned and trotted up the trail in the direction of the camp it knew, where were the other food-providers and fire-providers.” 

Hands: Naturalist writing often confronts an individual’s ability to assert free will in the face of an environment outside of her control. In “To Build a Fire,” the man’s free will is directly associated with his ability to use his hands. His hands act as a barometer, revealing his fluctuating chances of survival. 

  • “. . . he removed the mitten from his right hand and helped tear out the...

(The entire section is 958 words.)