Buchi Emecheta

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Introduction

(Contemporary Literary Criticism)

Buchi Emecheta 1944-

(Full name Florence Onye Buchi Emecheta) Nigerian novelist, children's writer, screenplay writer, and autobiographer.

The following entry presents an overview of Emecheta's career through 1998. See also, Buchi Emecheta Criticism.

Among the most important female authors to emerge from postcolonial Africa, Nigerian-born Buchi Emecheta is distinguished for her vivid descriptions of female subordination and conflicting cultural values in modern Africa. Her best-known novels, including Second-Class Citizen (1974), The Bride Price (1976), and The Joys of Motherhood (1979), expose the injustice of traditional, male-oriented African social customs that relegate women to a life of child-bearing, servitude, and victimization. Often regarded as a feminist writer, Emecheta illustrates the value of education and self-determination for aspiring young women who struggle against sexual discrimination, racism, and unhappy marital arrangements to achieve individuality and independence. While critical of patriarchal tribal culture, Emecheta's fiction evinces an abiding reverence for African heritage and folklore that reflects the divided loyalties of Africans torn between the competing claims of tradition and modernization. Noted for her realistic characters, conversational prose style, and sociological interest, Emecheta is highly regarded for introducing an authentic female perspective to contemporary African literature.

Biographical Information

Born in Lagos, Nigeria, and raised in the nearby village of Ibuza, Emecheta received a traditional Ibo upbringing and early witnessed tensions between indigenous African culture and urban Western values. Orphaned as a young child and raised by extended family, she attributes her desire to write to the storytelling of her aunt, “Big Mother.” Though schooling for girls was discouraged, Emecheta managed to receive an education at a missionary school, where she was taught English in addition to her several native languages. Bound by Ibo custom, she left school at age sixteen to marry a man to whom she had been engaged since she was eleven years old. Emecheta gave birth to their first child at age seventeen and by twenty-two was the mother of five. Shortly after her marriage she moved to London where her husband had already relocated to study.

While working odd jobs at the British Museum library and a youth center to support her family, Emecheta devoted herself to writing in her spare time. Despite efforts by her abusive husband to undermine her literary aspirations, Emecheta eventually published several of her diary entries in New Statesman, later becoming the material for her first book, In the Ditch (1972). Emecheta left her husband in 1966 and continued to work and write while raising her children and studying sociology at the University of London; she graduated with a bachelor's degree in 1972. While still in England she completed two additional books, Second-Class Citizen and The Bride Price, then moved to the United States where she supported herself as a social worker in Camden, New Jersey. Upon the publication of The Slave Girl (1977), a novel whose manuscript was once burned by her former husband, Emecheta received a Jock Campbell award from New Statesman and was selected as the Best Black British Writer in 1978. With the success of her 1979 novel The Joys of Motherhood, Emecheta was invited to work as a visiting professor at several American universities and as a research fellow at the University of Caliber in Nigeria before taking a permanent teaching position at the University of London in 1982. She also wrote several books for children and screenplays for British television. During the 1980s, Emecheta continued to establish her reputation with the novels Double Yoke (1982) and The Rape of Shavi (1983). She was named one of the Best British Young Writers in 1983. Her autobiography was published as Head Above Water (1984).

Major Works

Emecheta's fiction focuses on the plight of African women who struggle...

(The entire section is 28,333 words.)