Brokeback Mountain

by Annie Proulx

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Historical Context

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Stories of the American West

Tales of the American West began capturing public interest in the mid-1800s and continued to be a favored genre through the early 1900s. Early Westerns often adhered to a predictable and clichéd formula: the protagonists were legendary figures embodying the American ideals of independence and bravery. The Western world was predominantly male-centric, with women playing minor roles, often depicted as enticing saloon girls or innocent schoolteachers and nurturing farm wives. The settings were often scenic, and the narratives were melodramatic, frequently mixing scenes of violence with moments of humor.

The most beloved stories centered around cowboys, who became prominent in late 19th-century dime novels and in magazines such as Atlantic, Harpers, and Scribner's. Notable writers in this genre included Alfred Henry Lewis, Henry Wallace Phillips, William R. Lighton, Rex Beach, and O. Henry, who set some of his tales in Texas. One of the most renowned Westerns is Zane Grey's Riders of the Purple Sage, published in 1912.

Western stories saw a decline in popularity during the latter half of the 20th century as war heroes and tough detectives began to replace cowboys. In the 1960s, authors started to move beyond traditional themes and techniques, attracting new readers with stories centered on anti-heroes, such as those in Thomas Berger's Little Big Man (1964) and E. L. Doctorow's Welcome to Hard Times (1975), as well as narratives highlighting minority cultures, as seen in the works of N. Scott Momaday, Maxine Hong Kingston, Simon Ortiz, and Leslie Silko.

Discrimination against Homosexuals

Despite Congress criminalizing discrimination based on race, religion, sex, or national origin, as of 2006, it had not extended these protections to homosexuals. However, certain states, such as Connecticut, Hawaii, Massachusetts, New Jersey, and Wisconsin, have implemented laws prohibiting discrimination based on sexual orientation. Sodomy laws, often prescribing a three-month jail term and a fine, remain in effect in many mainly southern states.

In the education sector, discrimination is upheld in states like Oklahoma and West Virginia, where laws require school boards to dismiss homosexual teachers. Students in high schools and colleges across numerous states face challenges in forming gay and lesbian student groups. Homosexuals are often barred from professions involving children.

The government engages in discriminatory practices within the military and in roles requiring top secret security clearances. In 1993, President Clinton attempted to address this issue with the "Don't Ask, Don't Tell, Don't Pursue" policy. This policy stipulated that military personnel would not be questioned about their sexual orientation. However, harassment and discrimination persist against those in the military who are openly gay or suspected of being so. The military has concluded that homosexuals cannot have successful careers in any of its branches, resulting in the discharge of approximately one hundred servicemen and women each year who have openly identified as gay. Furthermore, homosexuals are often denied security clearances due to the belief that they might be susceptible to blackmail by former partners.

In states that do not acknowledge homosexual rights, landlords and homeowners can legally refuse housing to gay individuals. Although California, Connecticut, the District of Columbia, Hawaii, Maine, New Jersey, and Vermont did not recognize same-sex unions as of 2006, they did provide beneficiary rights to partners in long-term relationships. Several countries, including Denmark, Sweden, and Canada, recognize same-sex marriage and grant adoption rights to same-sex couples.

In the United States, anti-gay sentiments have contributed to a rise in hate crimes against homosexuals. This issue garnered national attention following the 1998 murder of Matthew Shepard, a gay student at the University of Wyoming.

Style and Technique

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Setting as Symbol

Annie Proulx masterfully employs setting details in "Brokeback Mountain" to amplify...

(This entire section contains 279 words.)

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the thematic essence of her story. Her use of setting as a symbol is particularly striking when she juxtaposes the landscape's harshness against its beauty, reflecting the complex and often difficult nature of Ennis's and Jack's relationship. This symbolic juxtaposition is first introduced as Ennis and Jack lead their herd up Brokeback Mountain. The narrative likens the sheep's movement along the trail to "dirty water through the timber and out above the tree line into the great flowery meadows and the coursing, endless wind." Here, the contrast between the muddy sheep and the vibrant meadow flowers serves to foreshadow both the love that will bloom between the men and the societal prejudice that will challenge it.

This foreshadowing is reinforced through further symbolic imagery. Proulx describes the "sweetened" cold air of the mountain on their first morning, set against the backdrop of "rearing lodgepole pines … massed in slabs of somber malachite." This imagery suggests a phallic presence, hinting at the sexual tension and eventual relationship that develops between Ennis and Jack. The mountain air is described as "euphoric" yet "bitter," encapsulating the dual nature of their bond—intense yet fraught with difficulty.

Following Jack's death, the landscape becomes a reflection of Ennis's inner turmoil, stripped of beauty and filled with a relentless bleakness. As Ennis travels through this "desolate country," marked by "houses sitting blank-eyed in the weeds," the setting embodies his profound grief. His wish to scatter Jack's ashes upon Brokeback Mountain is thwarted by Jack's father, who insists on committing them to "the grieving plain," an echo of Ennis's own desolate emotional state.

Media Adaptations

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The acclaimed film "Brokeback Mountain," featuring Heath Ledger and Jake Gyllenhaal, was directed by Ang Lee and hit theaters in 2005.

Bibliography and Further Reading

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Sources

Bakopoulos, Dean, "Woes of the West," in the Progressive, September 1999, pp. 43-44.

Jacobs, Rita D., Review of Close Range: Wyoming Stories, in World Literature Today, Vol. 74, No. 2, Spring 2000, p. 369.

Proulx, Annie, "Brokeback Mountain," in Close Range: Wyoming Stories, Scribner, 1999, pp. 255-85.

Review of Close Range: Wyoming Stories, in Publishers Weekly, March 29, 1999, p. 91.

Further Reading

Kowalewski, Michael, "Losing Our Place: A Review Essay," in Michigan Quarterly Review, Vol. 40, No. 1, Winter 2001, pp. 242-57.

This essay examines the concept of place in American literature, with a focus on Close Range.

McGraw, Erin, "Brute Force: Violent Stories," in Georgia Review, Vol. 54, No. 2, Winter 2000, p. 351.

McGraw analyzes the theme of violence in American literature, comparing it to the narratives in Close Range.

McMurtry, Larry, ed., Still Wild: Short Fiction of the American West 1950 to the Present, Simon and Schuster, 2001.

This anthology features stories by Richard Ford, Raymond Carver, Leslie Marmon Silko, and Jack Kerouac.

Steinberg, Sybil, "E. Annie Proulx: An American Odyssey," in Publishers Weekly, June 3, 1996, pp. 57-58.

Steinberg provides an overview of Proulx's life and literary contributions.
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