Ivo Andri, a leading Yugoslav writer for four decades and the only Nobel Prize winner among the southern Slav writers, was always interested in his native Bosnia, and many of his works have Bosnia as a background. The Bridge on the Drina is a perfect example. The story of the bridge can be seen as a survey of Bosnian history between 1516 and 1914.
The story is completely historical. As a lifelong diplomat of the kingdom of Yugoslavia, Andri was also an astute student of history, and he often studied historical facts and documents in preparation for the writing of his works. Even his doctoral thesis, “The Development of the Spiritual Life of Bosnia Under the Influence of Turkish Sovereignty” (1924), reveals his passion for history; it also served him well while writing this novel and other works. The Bridge on the Drina encompasses the entire period of the Turkish rule of the Balkans, mirroring the birth and death of the Ottoman occupation of Bosnia. It is a broadly conceived panorama of cultural changes brought about by the Turkish reign and of the multicultural and multireligious nation resulting from it. It also depicts the inevitable and multifaceted conflicts of the area. The novel is, therefore, a good source of general information about Bosnia, although not a substitute for a scholarly history.
On a personal level, The Bridge on the Drina serves its author as a tribute to his childhood. As a little boy, he was brought to Viegrad after the death of his father and left there by his mother to live with relatives. It is no wonder that the mentor of the bridge, Mehmed Pasha Sokolli, ordered the bridge built...
(The entire section is 680 words.)