Chapters 35 and 36 Summary and Analysis

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Summary

Spring has turned into summer. In August, Basil leaves the heat of New York for Cape Cod, Massachusetts, for the purpose of winning Verena Tarrant. As he walks to the nearest hotel on the beach, he is struck by the surroundings: nothing seems to be growing. It just as if everything has stopped at one moment in time. At the shabby hotel, he sees that there are very few other guests. In the evening, he goes for a walk on the beach and runs into Doctor Prance. She is staying with Olive and Verena. Miss Birdseye is also a guest, but her health is extremely poor.

Doctor Prance and Basil pick up their relationship where it had left off two years before. The met the night Verena Tarrant made her debut at the home of Miss Birdseye. She informs the Southerner that the group of women is here in Cape Cod so that Verena may practice for her engagement at the Music Hall in Boston, the largest entertainment outlet in the capital city. Doctor Prance admits that she has  altered her views concerning reform. She also tells Basil that Miss Birdseye believes that he has been converted to their side in the matter of women’s rights. Basil has not talked to Miss Birdseye since she told him the way to the Tarrants’ home in Cambridge many months before. She believed then that Verena would be the means by which he would be converted to their cause, and Verena has given her no reason to doubt her success.

Not wanting to face the other women, Basil decides to wait to make his presence known. But the next morning he is less concerned and goes to the cottage regardless of who is there. The door is open and there is no one inside, but going through to the back veranda he spies Miss Birdseye sitting silently in a chair. Thinking she is asleep, Basil quietly goes out and waits for a response from her. Thinking he is Verena, she asks for her medicine. She is pleased on seeing who it is, hoping that he has come to see Olive, since he would not see her previously when he came to Boston. Soon Olive and Verena come home from the post office. Olive is obviously horrified that he is there. He asks to speak to Verena privately, and both Olive and Verena know what he intends to say. First of all, he informs her that he has sold one of his articles for publication. She is pleased with his success, even though she knows that it contains much of the argument against her views that he gave her the previous spring. A few minutes later she returns to the house and tells Olive about Basil’s visit to Cambridge that she had kept hidden from her. Olive is devastated by the secrecy, and even more so when Verena tells her that Basil has come to propose marriage. She says that she does not dislike him, only his opinions. Olive breaks down and begs Verena not to leave her, with Verena crying out that Olive must help her.

Analysis

The setting of the climax is away from both Boston and New York, in a place that is described as “without maturity.” Symbolic in its signs of growth, Cape Cod mirrors Basil’s view of American society, and perhaps that of the world, especially if the reform that Olive Chancellor is fighting for comes to pass. Olive’s view is only of revenge, not of progress. It is thus a fitting setting for Basil to decide what...

(This entire section contains 930 words.)

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his true battle shall be, whether against the loss of the world of his past or for the hope for his own personal future. In this place that is “antiquated” and redolent of the former glory (in its case, that of the shipbuilding industry), Basil has come to accomplish his true quest: marriage as a sign that civilization will continue in some form or another.

The declining health of Miss Birdseye is also symbolic of the reform movement which must also change. Much of what the women have fought for has come to pass, or is sure to come to pass in the near future. The world that Miss Birdseye had fought to change has gone. With her approaching death, a new beginning is signaled.

As Basil has feared the loss of his world and purpose in life, so too does Olive now sees that what she has feared, the marriage of Basil and Verena. The end of Verena’s career is also threatening to come to pass. Verena is caught in the middle, between the death of one world and the birth of a new one. Her terror at the choices that she must face drives her into Olive’s arms, yet she has obviously softened her views on the undesirability of a marriage.

When Olive argues that Verena cannot take a marriage proposal seriously from a man she dislikes, Verena states that she does not dislike Basil, but only his ideas. In this way, Verena has become a female version of Basil himself, who loves Verena but despises her views on the role of women. The shallowness that James has seemed to draw Basil and Verena back to is based on physical attraction, but not a kindred relationship of their minds and spirits. Although the two have now turned toward each other with expectation, there is still much to be resolved before a marriage between Basil and Verena can be accepted without misgiving.

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Chapters 33 and 34 Summary and Analysis

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Chapters 37 and 38 Summary and Analysis

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