When Bonjour Tristesse first appeared, Françoise Sagan was only nineteen. Her remarkable achievement in producing a stylistically masterful novel at such a young age accounts to a large degree for the worldwide celebrity that immediately ensued. Sagan, whose pen name was borrowed from a character in Marcel Proust’s À la recherche du temps perdu (1913-1922; Remembrance of Things Past, 1922-1931, 1981), was romanticized by the public, which saw the novel as an allegory of adolescent alienation and identified the author with her tragic heroine. Sagan tried to live up to the image she had created, using literature to achieve the kind of celebrity later associated with Elvis Presley and Andy Warhol. As such, she remains an important figure who bridges the gap between high and popular culture and whose status as a media icon has at times overshadowed her accomplishments as an author, playwright, and filmmaker.
The tragedies of Sagan’s own life, such as a near-fatal accident in her Aston Martin in 1957, her history of alcoholism and addiction during the 1960’s and 1970’s, and her physical collapse while accompanying French president François Mitterrand on a trip to South America in 1985, have dominated tabloid headlines in France and around the world. Her love of fast cars is in itself famous, and she has used the image of driving at the limit of control as a metaphor for life. She became addicted to painkillers during the recovery from her car accident, an experience that she recounts in Toxique (1964), a powerful text on the psychological effects of drugs.
Sagan has always been aware of the dangers associated with wealth and glamour, and she even addressed those dangers prophetically in her first...
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