(Society and Self, Critical Representations in Literature)

Set in the desert of New Mexico, Jimmy Santiago Baca’s Black Mesa Poems explores the poet’s continuing search for connections with his family, home, and cultural heritage. In vivid detail and striking imagery, the loosely connected poems catalog the poet’s complex relationships with his past and the home he makes of Black Mesa.

Baca’s intricate relationship to the land includes his knowledge of its history. He is keenly aware of the changes the land has gone through and the changes the people of that land have experienced. He writes of his personal sense of connection with arroyos and cottonwoods and of the conflicts between the earlier inhabitants of Black Mesa and the changes brought by progress. Dispossessed migrant workers are portrayed as the price of Anglo progress, and the arid land that once nourished strong cattle now offers only “sluggish pampered globs” from feedlots. Even the once sacred places have been unceremoniously “crusted with housing tracts.” His people have been separated from their ancestral land, yet Baca celebrates his identification with the old adobe buildings and Aztec warriors in the face of modern Anglo society.

Despite nostalgia, Baca eludes naïve sentimentality by attaching himself to the land. His sense of self and identity with his race is rooted in the physical landscape of Black Mesa. He evokes a strong connection with the history of his people through rituals, including drum...

(The entire section is 402 words.)


(Society and Self, Critical Representations in Literature)

Suggested Readings

Levertov, Denise. Introduction to Martin and Meditations on the South Valley, by Jimmy Santiago Baca. New York: New Directions, 1987.

Olivares, Julian. “Two Contemporary Chicano Verse Chronicles.” Americas Review 16 (Fall-Winter, 1988): 214-231.

Rector, Liam. “The Documentary of What Is.” Hudson Review 41 (Summer, 1989): 393-400.