Bjørnstjerne Bjørnson Biography


(Critical Edition of Dramatic Literature)

Bjørnstjerne Martinius Bjørnson was born at Kvikne in eastern Norway on December 8, 1832, the oldest son of Peder Bjørnson, a rural pastor, and his wife, Elise Nordraak. His father was the son of a prosperous farmer, and his mother came from a family of merchants.

When the boy was five years old, his father became the pastor at Nesset in Romsdalen on the west coast of Norway, and this is where Bjørnstjerne grew up. At the age of twelve, however, he was sent to school in the town of Molde and remained there until the winter of 1850, when he went to Christiania (Oslo) to prepare for his matriculation examinations. There Bjørnson attended a famous private school commonly referred to as “Heltberg’s Student Factory,” where Henrik Ibsen, Jonas Lie, and A. O. Vinje were also students at the time. He received his matriculation certificate in 1852 but decided against a career in theology and became a journalist instead, fighting for more realism both in prose fiction and on the stage. He also founded a periodical in which he published a number of rather immature short stories.

In the summer of 1856, however, he wrote his first play, Between the Battles, which was a great success when performed in Christiania. In the fall of the same year he went to Copenhagen, where he wrote the greater portion of his next play, Halte Hulda (lame Hulda), as well as a short story titled “Thrond,” and part of his first short novel, Trust and Trial. This book was followed by two others, Arne (1859; English translation, 1861) and En glad Gut (1860; A Happy Boy, 1869).

Bjørnson’s early works should be viewed in the context of contemporary Norwegian history. In 1814, Norway had become independent of Denmark and had obtained a free constitution but remained united with Sweden. Culturally, however, it was still dependent on Denmark. Bjørnson wanted to create an awareness of the heritage of his people by drawing attention to the deeds of the forefathers and by showing that contemporary farmers were not much different from their ancestors. In his writing, he therefore alternated between plays based on historical material and prose tales presenting his view of the farmers.

From 1857 to 1859, Bjørnson was the head of the theater in Bergen. There he met the young actress Karoline Reimers, to whom he was married in 1858. Bjørnson’s later emphasis on the value of family life is to a great extent a result of this successful union.

While in Bergen, Bjørnson became seriously involved in politics for the first time. As the editor of a local newspaper, he was instrumental in having the city’s conservative representatives in the parliament replaced by liberal politicians. His voice was also heard in national politics, and there was little time for creative writing. He therefore traveled to Italy in 1860, hoping that a stay abroad would help him concentrate on his art. Kong Sverre and Sigurd Slembe, two historical plays that established...

(The entire section is 1244 words.)


(Great Authors of World Literature, Critical Edition)

Bjørnstjerne Bjørnson (BYOORN-sawn), one of the most prolific writers Norway has produced, was a playwright, a novelist, a poet, a journalist, and a critic. His works of fiction were widely read and widely translated, and his revolutionary drama paved the way for the triumph of the Norwegian stage under his talented friend and compatriot Henrik Ibsen. Yet for all these accomplishments, Bjørnson was not essentially the artistic literary man. His vocation was Norway. All of his work, of which literary activity was only a part, was single-mindedly undertaken in the interests of national unity and dedicated to the attainment of Norwegian cultural and political independence. Bjørnson’s early tales and novels were written to present to the urban reading public of greater Christiania (now Oslo) a sympathetic portrayal of the Bonde, Norway’s sturdyyeoman-agricultural class. The early plays, heroic dramas based on the legends of Norway’s Viking greatness, were attempts to stimulate national pride. His more mature dramatic efforts, the social drama he left for Ibsen to develop, were written to provide a repertory of native Norwegian plays for a newly formed national theater. His poems were songs in celebration of the beauties of Norway, hymns of national devotion. The poem “Ja vi elsker dette landet” (yes we love this land) became the Norwegian national anthem.rnson, Bj{oslash}rnstjerne[Bjornson, Bjornstjerne]}rnson, Bj{oslash}rnstjerne[Bjornson, Bjornstjerne]}rnson, Bj{oslash}rnstjerne[Bjornson, Bjornstjerne]}

The land he loved was one he knew well. He was born in the small northeastern parish of Kvikne, where his father was pastor, but after his father was transferred, he grew up in Nesset in Romsdal, a district noted for the beauty of its mountains and fjords. In his twelfth year, he was sent to school...

(The entire section is 746 words.)