Beowulf Criticism
- Principal Works
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Beowulf
- Introduction
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Criticism
- The Beowulf Poet
- Beowulf
- The Interlace Structure of Beowulf
- The Pagan Coloring of Beowulf
- The Marriage of Traditions in Beowulf: Secular Symbolism and Religious Allegory
- Hero with Monsters
- Revenge and Reward as Recurrent Motives in Beowulf
- Beowulf and the World of Heroic Elegy
- The Theme and Structure of Beowulf
- An Introduction to “Beowulf” and the “Beowulf” Manuscript
- The Formulaic Style of Beowulf
- Thematic Polarity
- Beowulf and the Judgement of the Righteous
- Oral-Formulaic Context in Beowulf: The Hero on the Beach and the Grendel Episode
- The Dating of Beowulf
- Further Reading
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Beowulf Circa Eighth Century
- Introduction
-
Criticism
- The Christian Theme of Beowulf
- The Function of Joy in Beowulf
- Narrative Technique in Beowulf
- The Essential Paganism of Beowulf
- The Structural Unity of Beowulf: The Problem of Grendel's Mother
- Beowulf: The Fight at the Center
- Ring Composition
- The Analogical Mere: Landscape and Terror in Beowulf
- King Hrethel's Sorrow and the Limits of Heroic Action in Beowulf
- Succession and Glory in Beowulf
- Intemperance, Fratricide, and the Elusiveness of Grendel
- Prey Tell: How Heroes Perceive Monsters in Beowulf
- Further Reading