Characters

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Esther Greenwood

Esther Greenwood is a nineteen-year-old college student with aspirations of becoming a writer. She is characterized by her brown eyes and brown hair, and she navigates the high-fashion world with a sarcastic lens. Despite entering a prestigious college on a scholarship, Esther feels out of place. Her month-long internship at a fashion magazine in New York City leaves her disillusioned, leading to a suicide attempt and subsequent nervous breakdown. This marks the beginning of her journey through various hospitals and sanatoriums. Esther's clarity of vision and acute awareness of the world's hypocrisy drive her towards madness as a means of rebelling against a reality she finds intolerable. She reflects, "To the person in the bell jar, ... the world itself is the bad dream." Her emotional detachment from those around her and the hollow glamour of New York reflect her struggle against societal expectations and her battle for authenticity.

Buddy Willard

Buddy Willard is a medical student and an only child, whose relationship with Esther is encouraged by his parents. Buddy, who considers himself healthy, contracts tuberculosis during his first year of medical school, requiring a stay at a sanatorium. Despite his realistic view of life, Esther grows disinterested in him after he proposes. When Buddy visits Esther in the sanatorium, their relationship is reduced to curiosity, and Esther harbors a fear that he may have played a part in her emotional struggles. Esther's thoughts about Buddy focus on his dullness, likening him to "turkey neck and turkey gizzards," which captures her disdain for him.

Mrs. Greenwood

Mrs. Greenwood, Esther's widowed mother, raised Esther alone after her husband's death a decade earlier. She supports them by teaching business courses in Boston. Despite her efforts to give Esther space, she fails to acknowledge Esther's mental illness initially. Their relationship is strained, with Esther feeling a deep-seated anger toward her mother, evidenced by her lament on her mother's lack of mourning for Esther's father. Mrs. Greenwood's practical approach to life, such as encouraging Esther to learn shorthand, contrasts with Esther's literary ambitions.

Doreen

Doreen is a fellow winner of the fashion magazine contest and comes from a Southern finishing school. She is striking, with white hair and deep blue eyes, exuding a level of sophistication and daring that intrigues Esther. Doreen's nonchalance about rules and work assignments introduces Esther to a different lifestyle. Despite being drawn to Doreen's rebellious nature, Esther eventually distances herself after witnessing Doreen's self-destructive behavior. Doreen's relationship with Lenny Shepherd, an unscrupulous disk jockey, further diminishes her allure for Esther.

Jay Cee

Jay Cee is the formidable editor under whom Esther works during her internship. Although she is unglamorous, she is savvy and capable, qualities that are rare for women in her profession at that time. She genuinely tries to guide Esther by inquiring about her future plans and offering suggestions. Esther's ambivalence towards Jay Cee stems from her respect for her intelligence and her simultaneous indifference to Jay Cee's lack of physical attractiveness.

Philomena Guinea

Philomena Guinea is a successful novelist and alumnus of Esther’s college. She funds Esther’s scholarship, allowing her to attend the women's college, and later assists Esther after her breakdown by financing her stay at a private psychiatric hospital. Her support is pivotal in providing Esther an escape from a public institution.

Dr. Nolan

Dr. Nolan is a compassionate psychiatrist who treats Esther during her recovery. Her approach contrasts sharply with the disconnected methods of Dr. Gordon, Esther’s first psychiatrist. Dr. Nolan's humane treatment and her non-judgmental attitude facilitate Esther's path to understanding her own motivations and reconciling with her emotions....

(This entire section contains 1178 words.)

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She reassures Esther after Joan Gilling's suicide that it was not her fault, demonstrating her supportive nature.

Joan Gilling

Joan Gilling, once an acquaintance of Esther, becomes more significant when they are both patients at the same mental institution. Their relationship is marked by a subtle rivalry over privileges and eventual release. Joan, a former girlfriend of Buddy Willard, appears to recover faster than Esther but ultimately takes her own life.

Betsy

Betsy, an intern at Ladies' Day, embodies the quintessential "nice girl." An All-American girl from Kansas, she represents the traditional path of marrying, raising children, and maintaining her virtue until marriage. Betsy attempts to shield Esther from Doreen's influence, but Esther eventually rejects Betsy's naive optimism, dubbing her the "Pollyanna Cowgirl."

Cal

Cal is Esther's date at the beach. He figures among the men in Esther's life who try to impart knowledge to her. In Cal's case, he discusses methods of suicide, an unsettling reflection of the novel’s darker themes.

Constantin

Constantin is a United Nations translator whose presence in Esther's life is intended to be transformative. Esther initially seeks to lose her virginity to him, but he merely falls asleep beside her, reflecting the recurring theme of missed connections and disappointments with male figures.

Dodo Conway

Dodo Conway is portrayed as a model of fertility, being a pregnant mother with six children already. In Esther's neighborhood, she is admired for her large family, despite implications of her inadequacies as a mother.

Dee Dee

Dee Dee is a patient at the asylum where Esther stays. She distinguishes herself by her creativity, composing a tune that captivates everyone around her, suggesting it could be a hit. Her character offers a rare glimpse of positive female creativity within the novel.

Elaine Higginbottom

Elaine is an alias used by Esther Greenwood.

Eric

Eric is a college friend of Esther's whom she considers as a potential partner to lose her virginity. However, their relationship shifts when he remarks she reminds him of his older sister, altering her perception of him.

Dr. Gordon

Dr. Gordon is the first psychiatrist to treat Esther after her breakdown. His cold and clinical approach, including unsupervised electroconvulsive shock treatments, offers little relief and highlights the novel's critique of the medical profession.

Hilda

Hilda is a fellow guest editor at Ladies' Day. She designs hats and accessories but shows no curiosity or emotion during her interactions with Esther.

Irwin

Irwin is the man with whom Esther loses her virginity. Described by Esther as "rather ugly and bespectacled," her decision reflects more on her desire to shed her virginity than any romantic feelings.

Marco

Marco is a "woman-hater," categorizing women into Madonnas or whores. On his date with Esther, he declares his love for his cousin, who plans to become a nun. He treats Esther violently, giving her a diamond stickpin before throwing her into a ditch and threatening rape.

Mrs. Savage

Mrs. Savage is a wealthy woman who resides at the mental institution ostensibly to embarrass her family.

Lenny Shepherd

Lenny Shepherd is a disk jockey who becomes involved with Doreen. His presence further impacts Esther's disillusionment with Doreen as a role model.

Valerie

Valerie is a patient at the mental asylum who has been lobotomized.

Mr. Willard

Mr. Willard is Buddy's father, who, while less pretentious than his son, symbolizes the 1950s patriarchy.

Mrs. Willard

Mrs. Willard, Buddy's mother, lives vicariously through her husband, serving as a negative role model for Esther.

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