Setting
The novel's timeline is ambiguous, but the events couldn't have taken place before Winn-Dixie grocery stores began in the 1940s, and likely didn't occur until after the late 1960s, when divorce became more widely accepted in the South. DiCamillo sets this endearing tale in Naomi, Florida, a place where everyone seems to know everyone else—or at least, they think they do. The various settings in the novel highlight the contrast between appearances and reality.
The town is inhabited by seemingly archetypal characters: a lonely young girl, a distracted father, an aging southern belle, a supposed witch living in a haunted house, and a misunderstood man with a criminal past, among others. DiCamillo places them all on the outskirts of this small Southern town and introduces a lovable stray dog into their lives. She uses the town's inherent friendliness to assist her characters while highlighting their struggles. DiCamillo focuses on those who live on the edges of this friendliness, those who are outcast or isolated for different reasons, using the settings to underscore the pain and need caused by isolation, gossip, and snobbery. In doing so, she creates memorable, rather than clichéd, characters.
The settings within the town also prompt readers to examine the characters and their surroundings more closely. Opal's father is the new preacher at the Open Arms Baptist Church in Naomi. However, the church isn't a traditional church; it's a former Pick-It-Quick store where the congregation sits on lawn chairs. Despite this, it remains a welcoming place. The members even accept Winn-Dixie when he catches one of the mice that infest the building.
Opal and the preacher move into the Friendly Corners Trailer Park, an all-adult community. Opal, who is ten years old, explains why she was allowed to live there: "because the preacher was a preacher and I was a good, quiet kid . . . 'an exception.'" This all-adult setting only heightens Opal's feelings of being "an exception" and deepens her sense of loneliness.
From the beginning, DiCamillo grabs the reader's attention by crafting an unusual encounter in a very ordinary setting—a grocery store. Opal recounts, "my daddy, the preacher, sent me to the store for a box of macaroni-and-cheese, some white rice, and two tomatoes and I came back with a dog." This setting for their meeting reinforces the theme of the odd and unexpected, which permeates the text. Shoppers don't typically expect to meet dogs in grocery stores. This particular use of setting prepares the reader for the eccentric characters that follow and sets the tone for the rest of the story. From start to finish, the contrasts between the anticipated and the unforeseen keep the narrative engaging.
Other locations in the story, like the library, the pet store, and Gloria Dump's backyard, provide unique settings for Opal to uncover answers to her questions. Miss Franny, the librarian, is much more than the "sad and old and wrinkled" woman she seems to be. She has enchanting stories and magical candy to share. At the pet store, Opal learns that Otis can captivate the animals with his music, which he never performs for people, and she also discovers he is a former prisoner. Gloria Dump's backyard is home to ghosts beneath trees adorned with bottles. These places symbolize exactly what Opal is looking for: the library is a place for gaining information and knowledge; the pet store is a place where love can be found; and Gloria Dump's backyard offers the companionship and comfort Opal craves.
The settings also contribute to the novel's intimate atmosphere. The library is situated in a cozy house, the pet...
(This entire section contains 662 words.)
Unlock this Study Guide Now
Start your 48-hour free trial and get ahead in class. Boost your grades with access to expert answers and top-tier study guides. Thousands of students are already mastering their assignments—don't miss out. Cancel anytime.
Already a member? Log in here.
store is filled with calming music, and Gloria Dump's secluded backyard shuts out the outside world. In each of these places, DiCamillo creates a serene environment perfect for sharing and listening.
Additionally, the hot, humid weather in Florida supports the plot. The sudden thunderstorms reveal Winn-Dixie's intense fear and set the stage for the climactic moment between Opal and her father.
Literary Qualities
Because of Winn-Dixie is a quest narrative where structural and literary elements intertwine to create a sense of closeness. Each character embarks on a personal journey, but when they unite through Opal and Winn-Dixie, they are connected by one central question: What is the most important thing?
DiCamillo employs a first-person perspective, allowing Opal to communicate directly with the reader. Opal's narration in the first chapter is filled with long, uninterrupted sentences often linked by "and" and lacking punctuation, creating a breathless and confiding tone that immediately engages the reader in her quest.
This intimate, conversational narrative style helps DiCamillo delineate the beginning, middle, and end of the story. In chapter 1, Opal breaks her narration with "This is what happened." The subsequent chapters introduce the main characters—Opal, Winn-Dixie, and the preacher—highlight their individual issues, and set up the central conflict. Again, in chapter 6, Opal pauses her story with "What happened was this." These chapters acquaint the reader with other characters who significantly impact Opal's journey. Finally, in the last chapter, DiCamillo uses Sweetie-Pie's dialogue to bridge the climax and the final scene: "Tell what happened," Sweetie-Pie said. "Tell about that dog." What follows is the final lesson Opal learns about holding on and letting go.
DiCamillo's technique of weaving stories within the main narrative draws attention to individual characters and themes, enhancing the intimacy between the reader and all the characters. Each new character in Opal's life brings a new story, emphasizing the importance of sharing oneself and listening to others. Initially, Winn-Dixie listens patiently as Opal shares everything about her life. Miss Franny's story receives the same attention as Opal and Winn-Dixie listen attentively. Otis plays his music for the pet shop animals, who listen as if entranced. Gloria Dump invites Opal to "tell me everything about yourself," and Opal reflects, "I had been waiting for a long time to tell some person everything about me.... I could feel her listening with all her heart, and it felt good."
The shared experiences of DiCamillo's characters, despite their outward differences, bring them closer together. Each character has experienced loss, yet they have all survived. This survival is crucial for Opal for three reasons: it reassures her that she is not alone in her pain, it teaches her that she can endure loss, and it ultimately helps her understand what is most important.
Throughout the stories, DiCamillo underscores that life, much like the Littmus Lozenge candy, encompasses both joy and sorrow. Each character grapples with accepting this reality; they find the strength to do so, in part, through the friendships they form. "Do you think everybody misses somebody?" Opal asks. Gloria responds, "I believe, sometimes, that the whole world has an aching heart."
The text also contains Biblical allusions related to closeness. Ruth, from the Old Testament, cherished her mother-in-law Naomi and promised to make her people, "my people," just as Opal turns the outcasts in Naomi into her people. Similar to the Ten Commandments, Opal needs to know ten things about her mother and ten things about Winn-Dixie. Further Biblical references appear in Gloria Dump's advice to Opal to avoid judging others and to practice forgiveness.
DiCamillo employs a distinct technique in developing the preacher's character. To both Opal and the reader, he is referred to as "the preacher" for most of the text until the final confrontational scene between him and Opal. Using his title instead of his name sets him apart from the other characters, allowing the reader to feel the emotional distance that Opal experiences. However, after the climactic scene where his emotional isolation is addressed, Opal begins to call him "daddy," enabling the reader to understand his initial emotional detachment and to clearly see his personal growth by the story's end.
These techniques and approaches combine to enhance the sense that this story is a shared intimacy—one where the reader forms a deep emotional connection with the characters and their struggles.
For Further Reference
Brown, Jennifer M. "Flying Starts: Kate DiCamillo." Publishers Weekly (June 26, 2000): 30. This concise article explores Kate DiCamillo's life, the influences shaping her writing, and her debut novel.
"DiCamillo, Kate." In Something about the Author, Vol. 121. Detroit: Gale, 2001. This entry provides a brief overview of DiCamillo's work along with biographical details.
DiCamillo, Kate. "The Wishing Bone." Riverbank Review (Winter 2001/2002): 14-16. In this article, DiCamillo delves into her writing process and recounts a childhood memory that she describes as "magical."
H., C. M. Review of Because of Winn-Dixie.The Horn Book (July, 2000): 455. This is a concise review of the novel.
Maughan, Shannon. "A Talk with Kate DiCamillo." http://www.kidsreads.com/authors/au-dicamillo-kate.asp. 2001. This brief interview features the author discussing her writing career, the influences on her work, and her new book Tiger Rising.
"Speaking with Kate DiCamillo about Because of Winn-Dixie: A Hymn of Praise to Dogs, Friendship, and the South." Candlewick Press-Authors & Illustrators http://www.candlewick.com/authill.asp?b=Author&m=bio&id=1989&pix=n. Accessed March 30, 2002. This publisher's website offers biographical information about the author and her reflections on her work.
Swindle, Michael. "Winn-Dixie Woebegone, but Winsome and Wise." Books & Authors http://63.147.65.175/books/winndixO917.htm. September 17, 2000. This site provides a synopsis of the story along with a brief review of the book.