In "Because I Could Not Stop for Death—", the phrase "For only Gossamer, my Gown" refers to the speaker's thin clothing, which is insufficient to protect her from the cold of death. The gossamer gown and tulle tippet, both thin and airy materials, symbolize the speaker's unpreparedness for death, which has taken her by surprise. This metaphor highlights the chill and coldness associated with death in a fresh and startling way.

In Emily Dickinson's "Because I could not stop for death," the Horses' Heads symbolize the speaker's inevitable journey toward eternity. They evoke the biblical Four Horsemen of the Apocalypse, representing the transition from life to death. The horses serve as the vehicle transporting the speaker from life to her new existence in eternity, marking the last conscious moment before entering the afterlife.

In "Because I Could Not Stop for Death," Death is personified as a courteous gentleman, suggesting Emily Dickinson's acceptance of death as a transition to eternity rather than an end. In "Our Casuarina Tree," Toru Dutt uses the tree and creeper as allegories for life and death, portraying death as inevitable yet not to be feared. Both poems treat death with acceptance, emphasizing a gentle acquiescence rather than fear.

The language in these lines from "Because I could not stop for Death—" creates an image of a grave resembling a house. The grave is depicted as a mound, with the coffin causing the ground to swell into a bump, suggesting a home-like resting place. The lines describe the roof as scarcely visible and the cornice in the ground, reinforcing the idea of a grave rather than an actual house.

The direction of the horses' heads towards eternity signifies the journey of the speaker's soul towards the afterlife. This imagery reflects the concept of eternal existence beyond mortal life, as the speaker, already long dead, perceives centuries as shorter than the moment of death. Emily Dickinson uses this metaphor to explore the distortion of time and the inevitability of death.

Emily Dickinson uses irony and a calm, accepting tone in "Because I could not stop for Death--" to demystify death. She portrays death as a kind, civil carriage driver, making the experience non-threatening. The poem's ironic twist reveals the speaker has been dead for centuries, emphasizing a peaceful acceptance and detachment from life without fear or speculation about the afterlife.

Personification in "Because I could not stop for Death—" impacts the theme by depicting Death as a courteous gentleman, which softens its otherwise frightening concept. This portrayal suggests that Death is not an end but a transition accompanied by "Immortality," emphasizing the theme of eternal life beyond death. By presenting Death in this gentle manner, Dickinson encourages a view of death as a civil and inevitable journey rather than a terrifying end.

The speaker feels ambivalent about giving up her life. She was too busy to consider death, viewing it initially as an inconvenience that interrupts her labor and leisure. However, she acknowledges Death's civility and even finds comfort in the luxurious journey with him. By the poem's end, she reflects that centuries have passed without feeling lengthy, suggesting she might find some enjoyment in the eternal journey, indicating acceptance of her fate.

In the first three stanzas of "Because I could not stop for Death," the speaker exhibits a calm and accepting attitude towards the journey with Death. The poem uses an extended metaphor of a leisurely carriage ride to depict the process of dying, presenting Death as a courteous and civil gentleman. The serene imagery of children playing and fields of grain reinforces the idea that death is peaceful and not to be feared.

The speaker in "Because I could not stop for Death" feels unprepared and resigned about dying, as indicated by her inappropriate attire and her acceptance of Death's summons. She perceives Death as kind and civil, and the mention of children at play suggests her life may have involved interpersonal conflict. The author's attitude is not directly discernible from the poem, as Emily Dickinson often wrote from fictional personas, making it challenging to attribute personal beliefs to her based on this work alone.