Themes and Meanings
The best way to understand Donne’s religious poetry is to consider each poem as part of a series of progressions of a man depraved by sin but relying on the grace of ‘1 16, in her numbering) can be divided into three meditative sequences. The first group of six has as a theme the end of time; the theme of the next six sonnets is the love of God for his creation; and the last four deal with sin and repentance. Gardner places “Batter my heart, three-personed God” as number ten of the series, the central sonnet on the love of God toward His creation, no matter how far man has wandered from the true way. (H. J. C. Grierson, the early compiler of Donne’s poetry, assigns number fourteen to this sonnet.)
The metaphors and similes in this sonnet present a Christian man unable to overcome his sinfulness by his own powers, thus underscoring the Christian tenets that “all have sinned and come short of the glory of God” (Romans 3:23) and that only God’s unlimiting grace suffices to save the sinner: “For by grace are ye saved through faith; and that not of yourselves: it is the gift of God” (Ephesians 2:8).
The paradoxes incorporated in the sonnet not only give an immediacy to the speaker’s dilemma but also mirror the paradoxical truths of the Christian faith. All the seeming contradictions testify that true spiritual life is only possible through death with Christ so that the Christian’s faith may grow to maturity: “Verily,...
(The entire section is 468 words.)