(Critical Guide to British Fiction)

When one first opens Brian W. Aldiss’ Barefoot in the Head, it is not hard to see why the work has always been more popular with critics than with audiences and more popular in Great Britain than in the United States. It is a dense, many-layered work, relying heavily on the punning, condensed, multilingual, and allusive style introduced to the twentieth century by James Joyce. Although many things happen, or appear to be happening, much of the “action” takes place within the disordered minds of the characters.

A few years before the beginning of the story, a third world war has occurred, but one unlike any that was imagined: It was begun not by Russians or Americans but by the Kuwaitis, and its weapons were not nuclear but chemical. Europe and America were drenched in hallucinatory sprays, leaving a residue of persistent chemicals, stronger in some areas, weaker in others, but a poison nevertheless, that throughout the story gradually brings Western civilization (Aldiss’ “wesciv”) to a halt.

The central character, Colin Charteris, is a young man, nineteen years old, who at first is working to repair the damage of the “Acid-Head War”; he has grown dissatisfied with his duties for the New United Nations Strategic Air Command, however, and a longtime fascination with England overcomes him. Born in Serbia, Charteris has assumed his present name in honor of the English mystery writer Leslie Charteris. With his new name and driving his new car, a blood-red Banshee, Charteris heads toward England. At first, his path lies through France, neutral in the war and therefore relatively free from psychedelic fogs. No part of Europe, however, has been completely unaffected: Automobile drivers are frequently seized with visions when behind the wheel, and, to lessen the possibility of accidents, highways have been widened and lanes multiplied. Still, the road builders are not entirely in control themselves. While parliaments pass measures requiring dogs to sing at night, the highway construction crews feverishly build, burying neighborhoods beneath concrete....

(The entire section is 853 words.)